The Lie of the Land

'A very good read indeed' MATT HAIG

'Terrific, page-turning, slyly funny' INDIA KNIGHT

'As satisfying a novel as I have read in years' SARAH PERRY

'One of the most brilliant and entertaining novelists' ALISON LURIE

Quentin and Lottie Bredin, like many modern couples, can't afford to divorce. Having lost their jobs in the recession, they can't afford to go on living in London; instead, they must downsize and move their three children to a house in a remote part of Devon. Arrogant and adulterous, Quentin can't understand why Lottie is so angry; devastated and humiliated, Lottie feels herself to have been intolerably wounded.

Mud, mice and quarrels are one thing - but why is their rent so low? What is the mystery surrounding their unappealing new home? The beauty of the landscape is ravishing, yet it conceals a dark side involving poverty, revenge, abuse and violence which will rise up to threaten them.

Sally Verity, happily married but unhappily childless knows a different side to country life, as both a Health Visitor and a sheep farmer's wife; and when Lottie's innocent teenage son Xan gets a zero-hours contract at a local pie factory, he sees yet another. At the end of their year, the lives of all will be changed for ever.

A suspenseful black comedy, this is a rich, compassionate and enthralling novel in its depiction of the English countryside, and the potentially lethal interplay between money and marriage.

A BOOK OF THE YEAR IN THE GUARDIAN, OBSERVER, TELEGRAPH, NEW STATESMAN, EVENING STANDARD, SUNDAY TIMES AND IRISH TIMES

“There is much to relish here. The sharp characters, the smooth grown-up prose, the irony, and the ability to weave warmth and dark honesty like few other novelists can. A very good read indeed A gripping, compassionate and often funny take on a cross-section of Britain that fiction tends to overlook. In the end, it is good to get out of London - Sunday Times Amanda Craig is one of the most brilliant and entertaining novelists now working in Britain and her range of sympathy and humor and understanding of the Way We Live Now are deeply impressive - Alison LurieTerrific, page-turning, slyly funny - Sunday TimesThere is much to relish here. The sharp characters, the smooth grown-up prose, the irony, and the ability to weave warmth and dark honesty like few other novelists can. A very good read indeed A gripping, compassionate and often funny take on a cross-section of Britain that fiction tends to overlook. In the end, it is good to get out of London - Sunday TimesAmanda Craig's new novel delivers wit, mysteries and a dark commentary on the differences between life in the London bubble and the rest of the country - Daily Mail”

There is much to relish here. The sharp characters, the smooth grown-up prose, the irony, and the ability to weave warmth and dark honesty like few other novelists can. A very good read indeed

A gripping, compassionate and often funny take on a cross-section of Britain that fiction tends to overlook. In the end, it is good to get out of London - Sunday Times

Amanda Craig is one of the most brilliant and entertaining novelists now working in Britain and her range of sympathy and humor and understanding of the Way We Live Now are deeply impressive - Alison Lurie

Terrific, page-turning, slyly funny - Sunday Times

There is much to relish here. The sharp characters, the smooth grown-up prose, the irony, and the ability to weave warmth and dark honesty like few other novelists can. A very good read indeed

A gripping, compassionate and often funny take on a cross-section of Britain that fiction tends to overlook. In the end, it is good to get out of London - Sunday Times

Amanda Craig's new novel delivers wit, mysteries and a dark commentary on the differences between life in the London bubble and the rest of the country - Daily Mail

Amanda Craig is a British novelist, short-story writer and critic. Born in South Africa in 1959, she grew up in Italy, where her parents worked for the UN, and was educated at Bedales School and Clare College Cambridge.

After a brief time in advertising and PR, she became a journalist for newspapers such as The Sunday Times, the Observer, the Daily Telegraph and the Independent, winning both the Young Journalist of the Year and the Catherine Pakenham Award. She was the children's critic for the Independent on Sunday and The Times. She still reviews children's books for the New Statesman, and literary fiction for the Observer, but is mostly a full-time novelist. Her last novel, Hearts And Minds, was long-listed for the Bailey's Prize for Women's Fiction.

A GUARDIAN, OBSERVER, TELEGRAPH, NEW STATESMAN , EVENING STANDARD , SUNDAY TIMES AND IRISH TIMES BOOK OF THE YEAR. ' A very good read indeed' Matt Haig 'Terrific, page-turning, slyly funny' India Knight 'As satisfying a novel as I have read in years' Sarah Perry Quentin and Lottie Bredin, like many modern couples, can't afford to divorce. Having lost their jobs in the recession, they can't afford to go on living in London; instead, they must downsize and move their three children to a house in a remote part of Devon. Arrogant and adulterous, Quentin can't understand why Lottie is so angry; devastated and humiliated, Lottie feels herself to have been intolerably wounded.Mud, mice and quarrels are one thing - but why is their rent so low? What is the mystery surrounding their unappealing new home? The beauty of the landscape is ravishing, yet it conceals a dark side involving poverty, revenge, abuse and violence which will rise up to threaten them.Sally Verity, happily married but unhappily childless knows a different side to country life, as both a Health Visitor and a sheep farmer's wife; and when Lottie's innocent teenage son Xan gets a zero-hours contract at a local pie factory, he sees yet another. At the end of their year, the lives of all will be changed for ever. A suspenseful black comedy, this is a rich, compassionate and enthralling novel in its depiction of the English countryside, and the potentially lethal interplay between money and marriage.

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