Concerned for her family's financial welfare and eager to expand her own horizons, Agnes Grey takes up the position of governess, the only respectable employment for an unmarried woman in the nineteenth century. Unfortunately, Agnes cannot anticipate the hardship, humiliation, and loneliness that await her in the brutish Bloomfield and haughty Murray households. Drawn from Anne Bronte's own experiences, "Agnes Grey depicts the harsh conditions and class snobbery that governesses were often forced to endure. As Barbara A. Suess writes in her Introduction, "Bronte provides a portrait of the governess that is as sympathetic as her fictional indictment of the shallow, selfish moneyed class is biting."
Paperback
PRODUCT INFORMATION
Summary
Concerned for her family's financial welfare and eager to expand her own horizons, Agnes Grey takes up the position of governess, the only respectable employment for an unmarried woman in the nineteenth century. Unfortunately, Agnes cannot anticipate the hardship, humiliation, and loneliness that await her in the brutish Bloomfield and haughty Murray households. Drawn from Anne Bronte's own experiences, "Agnes Grey depicts the harsh conditions and class snobbery that governesses were often forced to endure. As Barbara A. Suess writes in her Introduction, "Bronte provides a portrait of the governess that is as sympathetic as her fictional indictment of the shallow, selfish moneyed class is biting."
Description
Concerned for her family's financial welfare and eager to expand her own horizons, Agnes Grey takes up the position of governess, the only respectable employment for an unmarried woman in the nineteenth century. Unfortunately, Agnes cannot anticipate the hardship, humiliation, and loneliness that await her in the brutish Bloomfield and haughty Murray households. Drawn from Anne Bronte's own experiences, Agnes Grey depicts the harsh conditions and class snobbery that governesses were often forced to endure. As Barbara A. Suess writes in her Introduction, "Bronte provides a portrait of the governess that is as sympathetic as her fictional indictment of the shallow, selfish moneyed class is biting."
Critic Reviews
“"The one story in English literature in which style, characters and subject are in perfect keeping." -George Moore”
“The one story in English literature in which style, characters and subject are in perfect keeping.” —George Moore
About the Author
Barbara A. Suess, assistant professor of English at William Patterson University, is the co-editor of New Approaches to the Literary Art of Anne Bronte and the author of Progress and Identity in the Plays of W. B. Yeats, 1892-1907.
Product Details
Returns
This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.
