From the award-winning author of Curtain Call, Freya and Our Friends in Berlin comes a sweeping story of art and love through the lens of a single painting
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Summary
From the award-winning author of Curtain Call, Freya and Our Friends in Berlin comes a sweeping story of art and love through the lens of a single painting
Description
'A gripping mystery... sweeping across centuries in its three interlinked sections, Molly & the Captain summons the past effortlessly' Observer
A celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as "Molly & the Captain", becomes instantly famous. In the summer of 1889, a young painter glimpses a mother at play with her two daughters in Kensington Gardens and decides to include them in his picture. A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait. Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. With period subtlety, intricate characterisation and storytelling verve, Anthony Quinn melds three families and three centuries into a single vision of human frailty and longing. 'A delicious mystery' Daily Mail'A thrilling read' Spectator'So versatile - Quinn seems to reinvent himself with every book' Jonathan CoeCritic Reviews
[A] beguiling new novel about the mysteries of creativity from master storyteller Anthony Quinn... Every sentence he produces is a joy Metro
A gripping mystery... Sweeping across centuries in its three interlinked sections, it summons the past effortlessly, as a vehicle for a plot that is both intricate and immaculately constructed... Quinn's most ambitious book to date and decidedly his best -- Alex Preston Observer
Quinn is an accomplished writer at ease with the idioms of the past... He is also a subtle creator of character... opens up timeless themes of family, success and love -- Michael Prodger New Statesman
Quinn is an intelligent analyst of the uncertainties of love and art Sunday Times
These women's lives are gently and perceptively explored -- Antonia Senior The Times
Gripping historical fiction Good Housekeeping
[A] stylish literary triptych... Quinn is a fine writer with an instinctive understanding of the pitfalls of the bohemian life Mail on Sunday
A deft, century-hopping novel... delight[s] in the granular details of an era, as well as a thorough knowledge of its broad sweep -- Imogen Hermes Gowar Guardian
There is a delicious mystery at the heart of this novel Daily Mail
One of my favourite writers... a breathtakingly ambitious novel that nails the small personal triumphs and tragedies of each woman's life -- Sarra Manning Red
So versatile - Quinn seems to reinvent himself with every book Jonathan Coe
A witty and affecting saga... It delights in exploring tiny, unexpected quirks of character and broad brushstrokes of greater emotion alike, and never fails to entertain -- Alexander Larman Spectator
Quinn displays an impressive range of expression: the mannered, epistolary style of the early chapters gives way to touches of Victorian gothic, and then to crisp contemporary prose -- Kimberley Long Financial Times
Truly magnificent... each part is separate and distinct, involving and compassionate, yet all are mysteriously connected... Period details sparkle in this elegant prose... This is Quinn's masterpiece -- Sue Gaisford The Tablet
Quinn's books are unbeatable treats... His latest, a hall of mirrors across three centuries revolving around a single painting, is both about art and irresistibly artful Dominic Dromgoole
Poignant, involving, beautiful and thoroughly entertaining... Quinn's best and most ambitious novel yet dances through three centuries, entwines the worlds of theatre and art in a thoroughly seductive embrace, and brings all his considerable gifts into play... This is a novel packed with pleasures -- Christobel Kent Perspective Magazine
Pleasurable... The novel is a triptych, each part standing alone and quickly establishing its particular note and colour by means of language, carefully chosen detail and a sprinkling of familiar names Times Literary Supplement
Quinn has an artist's eye and can mine drama from even the plainest parlour or afternoon in the park Strong Words Magazine
About the Author
Anthony Quinn was born in Liverpool in 1964. From 1998 to 2013 he was the film critic for the Independent. His novels include The Rescue Man, which won the 2009 Authors' Club Best First Novel Award; Half of the Human Race; The Streets, which was shortlisted for the 2013 Walter Scott Prize; Curtain Call, soon to be a feature film starring Ian McKellen and Gemma Arterton; Freya, Eureka, Our Friends in Berlin and London, Burning. He also wrote the recent Liverpool memoir Klopp.
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