Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling debut novel from Berlin-based American artist Calla Henkel.
Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling debut novel from Berlin-based American artist Calla Henkel.
'Full of delicious layers . . . I felt drunk reading it.' Emma Jane Unsworth
Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling debut novel from Berlin-based American artist Calla Henkel.2009. Berlin. Two art students arrive from New York, both desperate for the city to solve their problems. Zoe is grieving for her high school best friend, murdered months before in her hometown in Florida. Hailey is rich, obsessed with the exploits of Lindsay Lohan and Britney Spears and wants to be a Warholian legend. Together they rent a once-magnificent apartment from eccentric crime writer Beatrice Becks. With little to fill their time, they spend their nights twisting through Berlin's club scene and their days hungover. Soon inexplicable things start happening in the apartment and the two friends suspect they are being watched by Beatrice. Convinced that their landlord is using their lives as inspiration for her next thriller novel, they decide to beat her at her own game. The girls start hosting wild parties in the flat and quickly gain notoriety, with everyone clamouring for an invite to 'Beatrice's.' But ultimately they find themselves unable to control the narrative and it spirals into much darker territory . . .“Full of delicious layers . . . I felt drunk reading it. - Emma Jane Unsworth”
A sparkling debut . . . this is a very good plot-driven thriller dressed in a glittery jumpsuit. There are laugh-out-loud lines throughout. -- Rhiannon Cosslett Guardian
Truly original . . . Brutal, glamorous and genuinely unpredictable, it will blow your mind until the very last page. -- Moya Crockett Stylist
Fuelled by a creeping sense of unease, this is a wild, energetic gem of a novel that is entirely involving. -- Fanny Blake Daily Mail
Thrilling Cosmopolitan
Hugely entertaining New York Times
Sharply observed and very funny . . . a worthy addition to the growing canon of outsider writing on Berlin . . . Henkel has an exacting eye for subtle situational humour, and she excels at describing the sorts of characters one encounters in the German capital . . . Calla Henkel cleverly manipulates expectations to build tension until the very end.
-- Jessica Loudis TLSCalla Henkel is an American writer, playwright, director and artist living between Berlin and Los Angeles. Her debut novel, Other People's Clothes, was a New York Times Book Review 'Editors' Choice'. She has staged plays at Volksbuhne Berlin and the Whitney Museum of Art, and her artistic work with Max Pitegoff has been exhibited in museums and galleries worldwide. She currently operates a theatre in Los Angeles, called New Theater Hollywood. Scrap is her second novel.
'Full of delicious layers . . . I felt drunk reading it.' Emma Jane Unsworth Intoxicating, compulsive and blackly funny, Other People's Clothes is the thrilling debut novel from Berlin-based American artist Calla Henkel. 2009. Berlin.Two art students arrive from New York, both desperate for the city to solve their problems.Zoe is grieving for her high school best friend, murdered months before in her hometown in Florida.Hailey is rich, obsessed with the exploits of Lindsay Lohan and Britney Spears and wants to be a Warholian legend.Together they rent a once-magnificent apartment from eccentric crime writer Beatrice Becks. With little to fill their time, they spend their nights twisting through Berlin's club scene and their days hungover. Soon inexplicable things start happening in the apartment and the two friends suspect they are being watched by Beatrice. Convinced that their landlord is using their lives as inspiration for her next thriller novel, they decide to beat her at her own game. The girls start hosting wild parties in the flat and quickly gain notoriety, with everyone clamouring for an invite to 'Beatrice's.' But ultimately they find themselves unable to control the narrative and it spirals into much darker territory . . .
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