* A fabulous novel based on the true story of Valaida Snow, the black female jazz trumpeter of the 20s and 30s. This is an exhilarating debut from a former Hollywood scriptwriter.
Valaida listened hard. After the melody's intro and Earl's left-hand-to-right-hand cascades of piano sound, her space opened, and Valaida jumped in. She blew. She entered the music, saw the chords, embellishes, the references to other songs as plain as day behind her eyeballs, and she used them. She jumped from bar to bar like a benzine-fueled billy goat. She didn't miss. She hit her peaks and whinnied in triumph. In the nebular light of the Terrace's mirror ball, she flew with the men who had backed Louis Armstrong at his best.'
From a childhood in Chattanooga, to a debut at one of the swankiest clubs in Harlem in its heyday; from touring in the Jim Crow south, to showcasing in Shanghai and London in the 30s, the story of Valaida Snow is breathtaking. With a storyteller's ear and a blessed ability to transport her reader, Candace Allen has written a sweeping tale of love, degradation, laughter and longing - with a trumpet accompaniment you swear you can hear.“The often raw but remarkable story of the Harlem Lady know as Little Louis, Queen of the Trumpet-- Mojo”
Allen's detailed biographical research gives her novel an authenticity that only the very best historical novelists can achieve - Waterstones Books Quarterly
A very well researched story about a real-life character set in a fascinating period of time.' Tim Manderson, Publishing News - Memorable ... as it darts between episodes in stream-of-consciousness style, impressionistic details build up into a convincing picture of the heroineMusic, love, addiction and imprisonment ensue in this deeply moving tale Eve Magazine - Fascinating novel Image MagazineThe often raw but remarkable story of the Harlem Lady know as Little Louis, Queen of the Trumpet - MojoCandace Allen received her BA from Harvard before attending the New York University School of Film and Television, becoming the first African-American female member of the Directors Guild of America. She has been an assistant director, a screenwriter and now a novelist.
Valaida listened hard. After the melody's intro and Earl's left-hand-to-right-hand cascades of piano sound, her space opened, and Valaida jumped in. She blew. She entered the music, saw the chords, embellishes, the references to other songs as plain as day behind her eyeballs, and she used them. She jumped from bar to bar like a benzine-fueled billy goat. She didn't miss. She hit her peaks and whinnied in triumph. In the nebular light of the Terrace's mirror ball, she flew with the men who had backed Louis Armstrong at his best.'From a childhood in Chattanooga, to a debut at one of the swankiest clubs in Harlem in its heyday; from touring in the Jim Crow south, to showcasing in Shanghai and London in the 30s, the story of Valaida Snow is breathtaking. With a storyteller's ear and a blessed ability to transport her reader, Candace Allen has written a sweeping tale of love, degradation, laughter and longing - with a trumpet accompaniment you swear you can hear.
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