Italy's famous sights are all to be found here - St Peter's in Rome, Naples with Vesuvius smouldering in the background and canals of Venice. In this book, the author portrays a nation of great contrasts: between grandiose buildings and squalid poverty, and between past and present, as he observes everyday life beside ancient monuments.
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Summary
Italy's famous sights are all to be found here - St Peter's in Rome, Naples with Vesuvius smouldering in the background and canals of Venice. In this book, the author portrays a nation of great contrasts: between grandiose buildings and squalid poverty, and between past and present, as he observes everyday life beside ancient monuments.
Description
A thrilling travelogue of the year Dickens spent in Italy in the mid 1840s, published at a time when interest in his more marginal work is constantly increasing.In 1844, Charles Dickens took a break from novel writing to travel through Italy for almost a year and Pictures from Italy is an illuminating account of his experiences there. He presents the country like a magic-lantern show, as vivid images ceaselessly appear before his - and his readers' - eyes. Italy's most famous sights are all to be found here - St Peter's in Rome, Naples with Vesuvius smouldering in the background, the fairytale buildings and canals of Venice - but Dickens's chronicle is not simply that of a tourist. Avoiding preconceptions and stereotypes, he portrays a nation of great contrasts- between grandiose buildings and squalid poverty, and between past and present, as he observes everyday life beside ancient monuments. Combining thrilling travelogue with piercing social commentary, Pictures from Italy is a revealing depiction of an exciting and disquieting journey.
About the Author
CHARLES DICKENS was born in 1812, the second of eight children. He received little formal education, but after a slow start, became a publishing phenomenon, and an instant success. Public grief at his death in 1870 was considerable- he was buried in the Poets' Corner of Westminster Abbey.Kate Flint is Professor of English at Rutgers, The State University of New Jersey. She is author of The Woman Reader, 1837-1914 (1993) and The Victorians and the Visual Imagination (2000), and has published widely on nineteenth and twentieth century literary and cultural history. She iscurrently completing The Transatlantic Indian 1776-1930.
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