First published in 1892, this perfect novel portrays with chilling power the powerlessness of women within Victorian marriage.
First published in 1892, this perfect novel portrays with chilling power the powerlessness of women within Victorian marriage.
INTRODUCED BY MAGGIE O'FARRELL
'A great work of literature, the product of a questing, burning intellect' MAGGIE O'FARRELL 'Even if the themes being explored might seem irrelevant . . . this is not the case' GUARDIAN'I loved the unnerving, sarcastic tone, the creepy ending' PARIS REVIEW Based on the author's own experiences, The Yellow Wallpaper is the chilling tale of a woman driven to the brink of insanity by the 'rest cure' prescribed after the birth of her child. While she is isolated in a crumbling mansion, in a room with bars on the windows, the tortuous pattern of the yellow wallpaper winds its way into the recesses of her mind. Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century and a brilliant writer, editor and speaker. The Yellow Wallpaper is her masterpiece.Even if the themes being explored might seem irrelevant to you today and especially to such young audience, I can assure you that this is not the case Guardian
A great work of literature, the product of a questing, burning intellect -- Maggie O'Farrell
I loved it. I loved the unnerving, sarcastic tone, the creepy ending, the clarity of its critique of the popular nineteenth century Paris Review
Charlotte Anna Perkins (1860-1935) married at the age of twenty-four, but three years later separated from her husband. She was a writer of non-fiction and poetry, an editor, feminist theorist, and most of her work is about the status and oppression of women. She married again in 1900, but committed suicide a year after her husband died of inoperable cancer.
Charlotte Perkins Gilman wrenched this small literary masterpiece from her own experience. Narrated with superb psychological skill and dramatic precision, it tells the story of a nameless woman driven mad by enforced confinement after the birth of her child. Isolated in a colonial mansion in the middle of nowhere, forced to sleep in an attic nursery with barred windows and sickly yellow wallpaper, secretly she does what she has to do - she writes. She craves intellectual stimulation, activity, loving understanding, instead she is ordered to her bedroom to rest and 'pull herself together'. Here, slowly but surely, the tortuous pattern of the wallpaper winds its way into the recesses of her mind...
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