When We Were Sisters

LONGLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2022

When We Were Sisters is a beautiful, richly layered exploration of the generosity that is required to raise oneself, to raise others, to build a world where the people you love can feel safe and whole. Fatimah Asghar is an impressive writer precisely because of how she doesn't withhold tenderness, and lets it play and flourish amongst all of the brilliant lyricism, narrative sharpness, and vibrant characters who fill this incredible book -- Hanif Abdurraqib
When We Were Sisters is a stunning accomplishment in form, storytelling, and heart. This novel works language into its most jeweled form, into characters, sisters, that will stay with me for the rest of my life -- Safia Elhillo
A spellbinding tale of three sisters in an explosion of grief and orphaned heartbreak. A fearlessly raw and heart-stopping portrait of the intimacy of violence, When We Were Sisters pulses with poetic lyricism and raw beauty. A journey into the dark crevices of childhood trauma and loneliness, Fatimah Asghar has written a truly dazzling story -- Julián Delgado Lopera
In this captivating, gorgeously written book, Asghar weaves a tale of sisters in the wake of unspeakable loss. Propulsively readable and experimental in form, this is an unflinching look at family, grief and reclamation - of self and other -- Hala Alyan
Compelling. . . sometimes lyrical, sometimes heartbreaking. . . skillfully crafted. . . a moving journey. An assured first novel explores the bonds and divides among three orphaned sisters Kirkus, starred review
Haunting . . . a knife-sharp story of . . . self-discovery People
With If They Come For Us, their 2018 debut poetry collection, Fatimah Asghar established their lyrical voice as one to contend with. Now, the artist is back with their debut novel, When We Were Sisters, which channels their poetic sensibilities into a tender tale TIME
Asghar's debut shimmers with love in the midst of neglect Los Angeles Times
Elegant . . . Asghar's poetic sensibilities are on full display in the lyrical and oblique prose . . . and the frequent formal experimentation enlivens the text. . . The result is a creative telling of a tender coming-of-age tale Publishers Weekly
When We Were Sisters, is a searing portrait of grief and longing... Pop culture will have us believe that all parentless pain must be channelised into greatness in a Potter world or a Gotham City. Asghar's triumph lies in completely reclaiming identities from any such stereotypical lens... The characters in the book are not easy to understand, love or agree with. But that is what makes them instantly relatable. Our complexities are not unidirectional: we have all had experiences where we feel like we've been overlooked. Asghar shows a distinctive aptitude for translating the unsaid in our lives into emotions the characters contend with. Yet, they do it with a lyrical vulnerability that truly captures the world view of the place and the age of their characters... When We Were Sisters picks up the parts of our own selves that we have left behind over time at different places and turns, gently stitching them together in a story that makes both reader and writer whole again Vogue India
Author Asghar brings that same lyricism from her poetry collection, If They Come for Us (2018), crafting vignettes with dark but tender prose that form a striking picture of the sisters' daily lives. With minimal dialogue, these brief windows are told through the first-person observations of the youngest, Kausar, with occasional interludes from their uncle or father. A debut in fiction perfect for poetry readers, this poignant coming-of-age tale examines a girlhood torn apart by loss Booklist
A beautifully written story of building new bonds through tragedy and grief Bookriot
Longlisted for the 2022 National Book Award in Fiction, When We Were Sisters is a lyrical, emotional journey following three orphaned Muslim American siblings who are left to raise one another after their parents pass away. Poet, performer, and Emmy-nominated filmmaker Fatimah Asghar brings extreme care to every character, creating a stunning celebration of familial love Chicago Review of Books
A grief-soaked and gorgeous debut novel . . . A poet first, Asghar picks up on the themes of her debut collection If They Come for Us - partition and fragmentation, borders and bodies - and plays with space and silence on the page . . . this fragmentary form has the effect of ephemerality - much like life -- Sana Goyal Guardian 'Book of the Day'
We expect a lot from novels written by poets: a heightened sensitivity to language, brevity, a sustained sense of theme or metaphor. How wonderful when a poet's novel actually delivers. Asghar's debut, about a trio of Pakistani orphans and the sacrifices they make (or don't) to stay together after the death of their father, is a 300-pager that you can't put down - a typographically experimental work that maintains its focus on the humanity of its characters. It's educational for both its compression and its use of space on the page, but its most subversive trick is the empathy shown for the girls' guardian, their uncle: an objectionable character from virtually every angle who is still afforded three dimensions. Also in the running is the concept of orphanhood intersecting with the many Muslim immigrants who fall in and out of their orbit: 'My mind is a confusion of people who come and disappear. I can't keep track Vulture
Impressive Shondaland
[Asghar] gorgeously weaves the themes of grief and community, along with queerness and love, into prose that is compulsively readable and heartwrenching at the same time... Asghar's newest work lives in the minutiae of day-to-day activities. Despite the excavation of painful realities for the trio of siblings, Asghar also fills it with scenes of playful teasing, caring and attempts to claw back childhood after the death of a parent WBEZ Chicago
Focusing on the lives of three orphaned Muslim American sisters, and told from the perspective of the youngest Kausar, When We Were Sisters contends with themes of poverty, gender, and abuse. It is at once a difficult read and one that is difficult to put down... Asghar blends poetry with their storytelling to layer the narrative with historical poignancy... When We Were Sisters is a much-needed shattering of domestic myths, complication of diaspora literature, and challenge to entrenched class assumptions Kajal Magazine

Fatimah Asghar is an artist who spans across different genres and themes. They have been featured in various outlets such as TIME, NPR, Teen Vogue and the Forbes '30 Under 30' list. Their first book of poems If They Come For Us explored themes of orphaning, family, the violence of the 1947 Partition of South Asia, the legacy of colonization, borders, shifting identity, and violence. Along with Safia Elhillo they co-edited an anthology for Muslim people who are also women, trans, gender non-conforming and/ or queer, Halal If You Hear Me, which was built around the radical idea that there are as many ways of being Muslim as there are Muslim people in the world. They are the writer and co-creator of the Emmy-nominated Brown Girls, a web series that highlights friendship among women of colour that was in a development deal with HBO, and wrote and directed Got Game, a short film that follows a queer South Asian Muslim woman trying to navigate a kink party after being single. They are also a writer and co-producer on Ms. Marvel on Disney +.

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