Explores the role of the artist, the function of women in society, and the author's theory of Creative Evolution. This title intends to expose the eternal struggle between the sexes.
Explores the role of the artist, the function of women in society, and the author's theory of Creative Evolution. This title intends to expose the eternal struggle between the sexes.
A landmark of modern dramaShaw began writing MAN AND SUPERMAN in 1901 and determined to write a play that would encapsulate the new century's intellectual inheritance. Shaw drew not only on Byron's verse satire, but also on Shakespeare, the Victorian comedy fashionable in his early life, and from authors from Conan Doyle to Kipling. In this powerful drama of ideas, Shaw explores the role of the artist, the function of women in society, and his theory of Creative Evolution.As Stanley Weintraub says in his new introduction, this is "the first great twentieth-century English play" and remains a classic expose of the eternal struggle between the sexes.
“By the Winner of the Nobel Prize in Literature”
“[Shaw] did his best in redressing the fateful unbalance between truth and reality, in lifting mankind to a higher rung of social maturity. He often pointed a scornful finger at human frailty, but his jests were never at the expense of humanity.” —Thomas Mann
“Shaw will not allow complacency; he hates second-hand opinions; he attacks fashion; he continually challenges and unsettles, questioning and provoking us even when he is making us laugh. And he is still at it. No cliché or truism of contemporary life is safe from him.” —Michael Holroyd
“In his works Shaw left us his mind. . . . Today we have no Shavian wizard to awaken us with clarity and paradox, and the loss to our national intelligence is immense.” —The Sunday Times
“He was a Tolstoy with jokes, a modern Dr. Johnson, a universal genius who on his own modest reckoning put even Shakespeare in the shade.” —The Independent
“His plays were superb exercises in high-level argument on every issue under the sun, from feminism and God, to war and eternity, but they were also hits—and still are.” —The Daily Mail
Dublin-born George Bernard Shaw (1856-1950) was an active Socialist and a brilliant platform speaker. He was strongly critical of London theatre and closely associated with the intellectual revival of British drama.Dan H. Laurence has edited Shaw's COLLECTED LETTERS and COLLECTED PLAYS with their Prefaces. He was Literary Advisor to the Shaw Estate until his retirement in 1990.Professor Stanley Weintraub teaches at the Institute of Arts and Humanistic Studies at Penn State University.
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