To the nineteenth-century reader, George Gordon, Lord Byron (1788-1824), was the archetype of the Romantic literary hero, a figure admired and emulated as much for the revolutionary panache with which he lived his life as the brio and allure of his verse. Our century has seen him more clearly as a poet whose intellectual toughness, satiric gifts, and utter inability to be boring have made him one of the great comic spirits in our literature.
To the nineteenth-century reader, George Gordon, Lord Byron (1788-1824), was the archetype of the Romantic literary hero, a figure admired and emulated as much for the revolutionary panache with which he lived his life as the brio and allure of his verse. Our century has seen him more clearly as a poet whose intellectual toughness, satiric gifts, and utter inability to be boring have made him one of the great comic spirits in our literature.
To the nineteenth-century reader, George Gordon, Lord Byron (1788-1824), was the archetype of the Romantic literary hero, a figure admired and emulated as much for the revolutionary panache with which he lived his life as the brio and allure of his verse. Our century has seen him more clearly as a poet whose intellectual toughness, satiric gifts, and utter inability to be boring have made him one of the great comic spirits in our literature.
Byron was a poet, born in London. He spent his first 10 years in poor surroundings, but then inherited his great uncles title and went to Dulwich, Harrow and Cambridge. An early collection of poem, Hours of Idleness was badly reviewed, which he then set on a grand tour, visiting Spain, Greece, and the Aegean. He then published the popular Childe Harold's Pilgrimage, and became the darling of London Society. He gave active help to the Italian insurgents who had risen agaisnt the Turks. He died of a fever at Missolonghi.
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