More than Meets the Eye

In the quarter century following the enactment of the Americans with Disabilities Act, art museums, along with other public institutions, were tasked with making their facilities and collections more accessible to people with disabilities. Although blind and other disabled people have become marginally more visible in recent years, the vast majority of blind Americans remain undereducated and unemployed. In More Than Meets the Eye, Georgina Kleege shows howthe scrutiny of one cultural issue-access to arts institutions-in relation to one subset of the disabled population- blind people-can lead us to larger and more general implications.Kleege begins by examining representations of blindness, arguing that traditional theories of blindness often fail to take into account the presence of other senses, or the ability of blind people to draw analogies from non-visual experience to develop concepts about visual phenomena. Following this, the book shifts its focus from the tactile to the verbal, describing Denis Diderot's remarkable range of techniques to describe art works for readers who were not able to viewthem. Diderot's writing not only provided a model for describing art, Kleege says, but proof that the experience of art is inextricably tied to language and thus not entirely dependent on sight.By intertwining her personal experience with scientific study and historical literary analysis, Kleege challenges traditional conceptions of blindness and overturns the assumption that the ideal art viewer must have perfect vision. More Than Meets the Eye seeks to establish a dialogue between blind people and the philosophers, scientists, and educators that study blindness, in order to create new aesthetic possibilities and a more genuinely inclusive society.

“"This book makes a powerful contribution to the developing interdisciplinary conversation about how disability shapes and is shaped by culture." --Eliza Chandler, Disability Studies Quarterly "Deeply felt yet utterly unsentimental, More Than Meets the Eye is especially acute in its understanding of the challenges in bringing the visual arts to those who cannot see them, and in its celebration of those who create visual art in defiance of their blindness." --Martin E. Jay, University of California Berkeley "More than opening up a world of blindness to the sighted, Kleege offers insight on how vision shapes the way we know and live together and how the experience of blindness yields distinctive knowledge and unexpected art that is available to us all...Along the way, we learn what it means to gain blindness, rather than to lose sight." --Rosemarie Garland-Thomson, Emory University”

"This book makes a powerful contribution to the developing interdisciplinary conversation about how disability shapes and is shaped by culture." --Eliza Chandler, Disability Studies Quarterly"Deeply felt yet utterly unsentimental, More Than Meets the Eye is especially acute in its understanding of the challenges in bringing the visual arts to those who cannot see them, and in its celebration of those who create visual art in defiance of their blindness." --Martin E. Jay, University of California Berkeley"More than opening up a world of blindness to the sighted, Kleege offers insight on how vision shapes the way we know and live together and how the experience of blindness yields distinctive knowledge and unexpected art that is available to us all...Along the way, we learn what it means to gain blindness, rather than to lose sight." --Rosemarie Garland-Thomson, Emory University

Georgina Kleege is Lecturer in English at the University of California, Berkeley. Her previous books include Blind Rage: Letters to Helen Keller (2006) and Sight Unseen (1999).

In the quarter century following the enactment of the Americans with Disabilities Act, art museums, along with other public institutions, were tasked with making their facilities and collections more accessible to people with disabilities. Although blind and other disabled people have become marginally more visible in recent years, the vast majority of blind Americans remain undereducated and unemployed. In More Than Meets the Eye, Georgina Kleege shows howthe scrutiny of one cultural issue -- access to arts institutions -- in relation to one subset of the disabled population -- blind people -- can lead us to larger and more general implications.Kleege begins by examining representations of blindness, arguing that traditional theories of blindness often fail to take into account the presence of other senses, or the ability of blind people to draw analogies from non-visual experience to develop concepts about visual phenomena. Following this, the book shifts its focus from the tactile to the verbal, describing Denis Diderot's remarkable range of techniques to describe art works for readers who were not able to view them. Diderot'swriting not only provided a model for describing art, Kleege says, but proof that the experience of art is inextricably tied to language and thus not entirely dependent on sight.By intertwining her personal experience with scientific study and historical literary analysis, Kleege challenges traditional conceptions of blindness and overturns the assumption that the ideal art viewer must have perfect vision. More Than Meets the Eye seeks to establish a dialogue between blind people and the philosophers, scientists, and educators that study blindness, in order to create new aesthetic possibilities and a more genuinely inclusive society.

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