Discusses the works of a French photographer whose works reflects locales from all over the world: Senegal, Turkey, Poland, Mexico, Guatemala, and the American West. These are images of New Mexico and reflect the influence of the sun, the dust, the rain, the mud, the wind, the snow, and the altitude.
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Summary
Discusses the works of a French photographer whose works reflects locales from all over the world: Senegal, Turkey, Poland, Mexico, Guatemala, and the American West. These are images of New Mexico and reflect the influence of the sun, the dust, the rain, the mud, the wind, the snow, and the altitude.
Description
Bernard Plossu, born in Vietnam in 1945, is one of today's best-known French photographers. His photos reflect locales he has visited all over the world: Senegal, Turkey, Poland, Mexico, Guatemala, and the American West. The photographs here were taken by Plossu in the late 1970s and are images of New Mexico - where the sun, the dust, the rain, the mud, the wind, the snow, the altitude (7000 feet), and the smells forge a uniqueness.
Critic Reviews
“"Plossu elevates to the extraordinary those ordinary moments in our lives that we've probably taken for granted."”
About the Author
Gilles Mora, author of the text, is founder and editor-in-chief of Les Cahiers de la Photographie.
Bernard Plossu, born in Vietnam in 1945, is one of today's best-known French photographers. His photos reflect locales he has visited all over the world: Senegal, Turkey, Poland, Mexico, Guatemala, and the American West. The photographs here were taken by Plossu in the late 1970s and are images of New Mexico--where the sun, the dust, the rain, the mud, the wind, the snow, the altitude (7,000 feet), and the smells forge a uniqueness. "Bernard Plossu has given us a remarkable record of our own Southwest as seen through the eyes of a Frenchman. . . . The viewer knows what Plossu is saying by the immediate impact followed by slow release. There are no clichs here. His subtle images must be teased from the data he provides. It is our own Southwest but seen in a new light from another point of view. We can learn and enjoy from all three: the images, the photographer, and what they release in us. We also learn that our teacher--and all good photographers teach--is far from conventional."--from the Foreword
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