Clay

'Clay contains infinite possibilities in its transmutations, evidenced on the shelves of our homes, our galleries and museums. Every time we make something with clay, we engage with the timelines that are in the material itself, whether it was dug from a clifftop, riverbed or pit. In firing what we make, we bestow the material with function, meaning, or feeling, and anchor its form in a human present... Objects made from clay contain marks of our existence that collectively tell the story of human history more completely than any other material. There is a reason there are so many pots in museums: because fired clay is one of the most effective keepers of stories we have.'

This book is a love letter to clay, the material that is at the beginning, middle and end of all of our lives; that contains within it the eternal, the elemental, and the everyday.

People have been taking handfuls of earth and forming them into their own image since human history began. Human forms are found everywhere there was a ceramic tradition, and there is a ceramic tradition everywhere there was human activity. The clay these figures are made from was formed in deep geological time. It is the material that God, cast as the potter, uses to form Adam in Genesis. Tomb paintings in Egypt show the god Khnum at a potter's wheel, throwing a human. Humans first recorded our own history on clay tablets, the shape of the characters influenced by the clay itself. The first love poem was inscribed in a clay tablet, from a Sumerian bride to her king more than 4000 years ago.

Born out of a desire to know and understand the mysteries of this material, the spiritual and practical applications of clay in both its micro and macro histories, Clay: A Human History is a book of wonder and insight, a hybrid of archaeology, history and lived experience as an amateur potter.

I read this book and immediately went out to buy some clay. Fascinating and powerful Brian Eno Clay is a joy to read... it made me want to learn to be a potter all over again Florian Gadsby An engrossing history of the deep connection between humans and clay, electrified by a ceramicist's passion Katherine May, author of Enchantment I thought I knew a lot about pottery, but I didn't, not as much as I do now. From the earliest earthenware to the history of porcelain, along with the author's own progress working with different clays and glazes, I have loved learning from every chapter in this beautiful and affecting book Vashti Bunyan Jennifer Lucy Allan - an amateur potter herself - has written a mesmerising history of the practical, spiritual and artistic uses of clay, a deceptively simple material that has, in many ways, helped shape human history. Ranging across time and place, this wonderful book opens up a world of wonder. I learned so much from it - and couldn't put it down Jennifer Higgie, author of The Mirror and the Palette Alchemical, magical, alive: Clay inspires me to make things; a deeply engaging work about artists and their process, told through the stories of true outsiders and eccentrics, including Allan herself, whose vibrant and visceral musical language made me completely obsessed with a subject I knew nothing about Heather Leigh

Jennifer Lucy Allan is an author, journalist and broadcaster with a PhD in foghorns. Her first book, The Foghorn's Lament, was published in May 2021. She is a presenter on BBC Radio 3's long running music show, Late Junction, and presented Life, Death and the Foghorn, and Oh Yoko! for BBC Radio 4. As a journalist she has written on underground and experimental music for over 15 years, and also co-ran the record labels Arc Light Editions and Good Energy.

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