A hugely compulsive, dark, stylish and intense novel, simmering with Hitchcockian undertones - for readers of LULLABY, EILEEN or THE LEMON GROVE
A hugely compulsive, dark, stylish and intense novel, simmering with Hitchcockian undertones - for readers of LULLABY, EILEEN or THE LEMON GROVE
Have you ever wanted to steal someone else's life?
A compulsive, dark domestic noir novel simmering with Hitchcockian undertones, for those who loved LULLABY, KILLING EVE or THE CRY. 'Unsettling and compelling' Tammy Cohen'Laura Sims has pulled off the high-wire act of making bitterness delicious' VogueThe Professor lives in Brooklyn; her partner Nathan left her when she couldn't have a baby. All she has now is her dead-end teaching job, her ramshackle apartment, and Nathan's old moggy, Cat. Who she doesn't even like.The Actress lives a few doors down. She's famous and beautiful, with auburn hair, perfect skin, a lovely smile. She's got children - a baby, even. And a husband who seems to adore her. She leaves her windows open, even at night.There's no harm, the Professor thinks, in looking in through the illuminated glass at that shiny, happy family, fantasizing about them, drawing ever closer to the actress herself. Or is there?“Unsettling and compellingJealousy rears its ugly head in Sims's chilling and riveting debut. In this tightly plotted novel, Sims takes the reader fully into the mind of a woman becoming increasingly unhinged, and turns her emotionally fraught journey into a provocative tale about the dangers of coveting what belongs to another - Publishers Weekly, starred reviewWith an agile precision reminiscent of Lydia Davis, Laura Sims captures the obsessiveness of a woman who unravels after the collapse of her marriage. A taut, gripping portrait, all the more sinister for its eleganceThis intense, gripping first novel from Laura Sims shoehorns us into a gathering disquiet and sense of dread, heightened at every turn by our sympathetic understanding of her relentlessly unraveling protagonist. The precise, observant writing slips through the skin without ever calling attention to itselfA dark and stylish drama featuring a self-aware yet unstable narrator - Booklist”
Unsettling and compelling
Jealousy rears its ugly head in Sims's chilling and riveting debut. In this tightly plotted novel, Sims takes the reader fully into the mind of a woman becoming increasingly unhinged, and turns her emotionally fraught journey into a provocative tale about the dangers of coveting what belongs to another - Publishers Weekly, starred reviewWith an agile precision reminiscent of Lydia Davis, Laura Sims captures the obsessiveness of a woman who unravels after the collapse of her marriage. A taut, gripping portrait, all the more sinister for its eleganceThis intense, gripping first novel from Laura Sims shoehorns us into a gathering disquiet and sense of dread, heightened at every turn by our sympathetic understanding of her relentlessly unraveling protagonist. The precise, observant writing slips through the skin without ever calling attention to itselfA dark and stylish drama featuring a self-aware yet unstable narrator - BooklistLaura Sims is the author of four books of poetry, and LOOKER is her debut novel. She lives in Brooklyn.
Have you ever wanted to steal someone else's life? A compulsive, dark domestic noir novel simmering with Hitchcockian undertones, for those who loved LULLABY, KILLING EVE or THE CRY. 'Unsettling and compelling' Tammy Cohen 'Laura Sims has pulled off the high-wire act of making bitterness delicious' Vogue The Professor lives in Brooklyn; her partner Nathan left her when she couldn't have a baby. All she has now is her dead-end teaching job, her ramshackle apartment, and Nathan's old moggy, Cat. Who she doesn't even like.The Actress lives a few doors down. She's famous and beautiful, with auburn hair, perfect skin, a lovely smile. She's got children - a baby, even. And a husband who seems to adore her. She leaves her windows open, even at night.There's no harm, the Professor thinks, in looking in through the illuminated glass at that shiny, happy family, fantasizing about them, drawing ever closer to the actress herself. Or is there?
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