'OFTEN EXQUISITE... PARRY'S IMAGERY IS BREATHTAKING' Emily St. John Mandel, bestselling author of Station Eleven writing in the New York Times Sunday Book Review A ravishing first novel set in the vibrant, tumultuous underworld of late-19th-century New York, about four young outsiders whose lives become entwined over the course of one fateful night.
'OFTEN EXQUISITE... PARRY'S IMAGERY IS BREATHTAKING' Emily St. John Mandel, bestselling author of Station Eleven writing in the New York Times Sunday Book ReviewA ravishing first novel set in the vibrant, tumultuous underworld of late-19th-century New York, about four young outsiders whose lives become entwined over the course of one fateful night.
'OFTEN EXQUISITE... PARRY'S IMAGERY IS BREATHTAKING' Emily St. John Mandel, bestselling author of Station Eleven writing in the New York Times Sunday Book Review A ravishing first novel set in the vibrant, tumultuous underworld of late-19th-century New York, about four young outsiders whose lives become entwined over the course of one fateful night.
'OFTEN EXQUISITE... PARRY'S IMAGERY IS BREATHTAKING' Emily St. John Mandel, bestselling author of Station Eleven writing in the New York Times Sunday Book ReviewA ravishing first novel set in the vibrant, tumultuous underworld of late-19th-century New York, about four young outsiders whose lives become entwined over the course of one fateful night.
New York, 1895. It's late on a warm city night when Sylvan Threadgill, a young night soiler who cleans out the privies behind the tenement houses, pulls a terrible secret out from the filthy hollows: an abandoned newborn baby. An orphan himself, Sylvan was raised by a kindly Italian family and can't bring himself to leave the baby in the slop. He tucks her into his chest, resolving to find out where she belongs.
Odile Church is the girl-on-the-wheel, a second-fiddle act in a show that has long since lost its magic. Odile and her sister Belle were raised in the curtained halls of their mother's spectacular Coney Island sideshow: The Church of Marvels. Belle was always the star-the sword swallower-light, nimble, a true human marvel. But now the sideshow has burnt to the ground, their mother dead in the ashes, and Belle has escaped to the city. Alphie wakes up groggy and confused in Blackwell's Lunatic Asylum. The last thing she remembers is a dark stain on the floor, her mother-in-law screaming. She had once walked the streets as an escort and a penny-Rembrandt, cleaning up men after their drunken brawls. Now she is married; a lady in a reputable home. She is sure that her imprisonment is a ruse by her husband's vile mother. But then a young woman is committed alongside her, and when she coughs up a pair of scissors from the depths of her agile throat, Alphie knows she harbors a dangerous secret that will alter the course of both of their lives... On a single night, these strangers' lives will become irrevocably entwined, as secrets come to light and outsiders struggle for acceptance. From the Coney Island seashore to the tenement-studded streets of the Lower East Side, a spectacular sideshow to a desolate asylum, Leslie Parry makes turn-of-the-century New York feel alive, vivid, and magical in this luminous debut. In prose as magnetic and lucid as it is detailed, she offers a richly atmospheric vision of the past marked by astonishing feats of narrative that will leave you breathless.“Parry excels in character development . Her novel is a fascinating study in alienation, set in a time when Manhattan, at least from a distance, seemed like the promised land... a strength of Parry's novel is her willingness to look directly into the shadows . This is an unvarnished vision of the 19th century, the Gilded Age by way of Quentin Tarantino... the writing is often exquisite and Parry's imagery is breathtaking”
Parry excels in character development. Her novel is a fascinating study in alienation, set in a time when Manhattan, at least from a distance, seemed like the promised land... a strength of Parry's novel is her willingness to look directly into the shadows. This is an unvarnished vision of the 19th century, the Gilded Age by way of Quentin Tarantino... the writing is often exquisite and Parry's imagery is breathtaking - Emily St. John Mandel author of STATION ELEVEN, New York Times
This quite literally marvellous novel takes you on a hallucinatory ride through old New York, until the four threads of its protagonists' lives tangle and tighten like a noose. Irresistible - Emma Donoghue, bestselling author of ROOMLike the late-19th-century circus attraction of its title, Parry's impressive debut is startling, full of wonders, and built around the bizarre; furthermore, it has compassion for human difference at its heart... Parry vividly brings her characters to life and captures the underbelly of 1895 New York - a place of baby sellers, opium dens, and brothels where what is painful and what is profitable merge. Her novel satisfies as a complex historical fiction, a compelling mystery, and an insightful exploration of such themes as otherness and outsider identity - Publisher's WeeklyChurch of Marvels is a beautifully written tale with twists and turns I didn't see coming. I loved the circus-seaside atmosphere mingled with the grit of turn of the century New York, and the large cast of characters possessed with such spirit to survive in terrible circumstances. There were surprises and secrets on every corner, right to the very end, and a bittersweet finale to satisfy the journey taken. A skillful triumph, undertaken with masterful scope. - Jessie Burton, bestselling author of The Miniaturistbursts with extraordinary, Dickensian-style details of 1895 New York... Emphasizing the plight of women, orphans, and society's nonconforming outcasts, the setting is superbly showcased, with its medley of sights and smells both wretched and wondrous - BooklistCompletely wonderful, beautifully written and the pages turned themselves. - Lindsay Hawdon, author of Jakob's ColoursLeslie Parry is a graduate of the Iowa Writers' Workshop and was recently a resident at Yaddo and The Kerouac House. Her writing has also received a National Magazine Award nomination and an honorable mention in The Best American Short Stories 2013. She lives in Chicago.
leslieparry.comtwitter.com/leslie_parryNew York, 1895. It's late on a warm city night when Sylvan Threadgill, a young night soiler who cleans out the privies behind the tenement houses, pulls a terrible secret out from the filthy hollows: an abandoned newborn baby. An orphan himself, Sylvan was raised by a kindly Italian family and can't bring himself to leave the baby in the slop. He tucks her into his chest, resolving to find out where she belongs.Odile Church is the girl-on-the-wheel, a second-fiddle act in a show that has long since lost its magic. Odile and her sister Belle were raised in the curtained halls of their mother's spectacular Coney Island sideshow: The Church of Marvels. Belle was always the star-the sword swallower-light, nimble, a true human marvel. But now the sideshow has burnt to the ground, their mother dead in the ashes, and Belle has escaped to the city. Alphie wakes up groggy and confused in Blackwell's Lunatic Asylum. The last thing she remembers is a dark stain on the floor, her mother-in-law screaming. She had once walked the streets as an escort and a penny-Rembrandt, cleaning up men after their drunken brawls. Now she is married; a lady in a reputable home. She is sure that her imprisonment is a ruse by her husband's vile mother. But then a young woman is committed alongside her, and when she coughs up a pair of scissors from the depths of her agile throat, Alphie knows she harbors a dangerous secret that will alter the course of both of their lives...On a single night, these strangers' lives will become irrevocably entwined, as secrets come to light and outsiders struggle for acceptance. From the Coney Island seashore to the tenement-studded streets of the Lower East Side, a spectacular sideshow to a desolate asylum, Leslie Parry makes turn-of-the-century New York feel alive, vivid, and magical in this luminous debut. In prose as magnetic and lucid as it is detailed, she offers a richly atmospheric vision of the past marked by astonishing feats of narrative that will leave you breathless.
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