Mary Stewart's storytelling is as spell-binding as ever in her twelfth novel, a gothic romance featuring sparkling prose, delightful characterisation and classic intrigue.
Mary Stewart's storytelling is as spell-binding as ever in her twelfth novel, a gothic romance featuring sparkling prose, delightful characterisation and classic intrigue.
Thornyhold is a house deep in a wild wood like somewhere out of a fairy tale. To Gilly, it is an enchantment. Her very own enchantment, left to her by the cousin whose occasional magical visits had brightened her childhood. And as she explores, she discovers more about the woman who had come to seem like a fairy godmother for her: her herbalists's skills, her still room, her abilities to foresee and to heal. She discovers also that the local people believe that Gilly has inherited not just the house but the magical spell-weaving powers that live on in the house and garden. Slowly, quietly, she comes to realise that they are right.
“Skeins of sentences are woven into a tale of sweet magic, witchcraft and suspense . . . which will perpetuate Mrs Stewart's bestsellerdom and confirm her status as a literary phenomenon”
In this 1940s rural scene you glimpse the shadow behind all things bright and beautiful. - Daily Mail
Anyone who enjoys a gentle, modern love story will find a cracker in Thornyhold - Woman's World - Scotland on SundayShe set the bench mark for pace, suspense and romance - with a great dollop of escapism as the icing - Elizabeth BuchanA comfortable chair and a Mary Stewart: total heaven. I'd rather read her than most other authors. - Harriet EvansMary Stewart is one of our most successful novelists. Her first novel, MADAM WILL YOU TALK, was published in 1955. It was an immediate success and marked the beginning of a long and acclaimed writing career. All her novels have been bestsellers on both sides of the Atlantic. She was made a Doctor of Literature by Durham University in 2009.
Thornyhold is a house deep in a wild wood like somewhere out of a fairy tale. To Gilly, it is an enchantment. Her very own enchantment, left to her by the cousin whose occasional magical visits had brightened her childhood. And as she explores, she discovers more about the woman who had come to seem like a fairy godmother for her: her herbalists's skills, her still room, her abilities to foresee and to heal. She discovers also that the local people believe that Gilly has inherited not just the house but the magical spell-weaving powers that live on in the house and garden. Slowly, quietly, she comes to realise that they are right.
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