The philosophy of Seneca has extended in influence from first-century Rome to the essays of Montaigne, to Elizabethan tragedy, to the theology of Calvin and the doctrines of the French Revolution.
The philosophy of Seneca has extended in influence from first-century Rome to the essays of Montaigne, to Elizabethan tragedy, to the theology of Calvin and the doctrines of the French Revolution.
In The Stoic Philosophy of Seneca, representative selections from Seneca's writings offer the reader an excellent introduction to the range of his work.
The selections are drawn from the essays, or dialogues, and the "Consolations;" from the treatises, of which "On Clemency," addressed to the young Nero, is included here; and from the Letters to Lucilius, which have to do not only with philosophical subjects but also with Seneca's personal experiences, such as journeys and visits.
Moses Hadas has selected letters and essays which reveal Seneca's major philosophical themes—the relationship of the individual to society and to the gods; the meaning of pain and misfortune; man's attitudes to change, time, and death; and the nature of the highest good and of the happy life. In his Introduction, Professor Hadas discusses Seneca's life and work, tracing the history of his reputation; comments on Seneca's style; and outlines the origins and tenets of Stoicism.
AESCHYLUS: A complete fifth-century Athenian, he was the creator of her proudest artistic achievement, tragedy. By using more than one actor he changed the form of plays from recited poetry to true dramatic dialogue, thereby making possible the sweeping grandeur of his great trilogy, THE ORESTEIA.<br><br>SOPHOCLES: The most popular tragedian of the Golden Age, he expanded the scope of classic drama by his technical innovations and lyric intensity, leaving the world such masterpieces as ANTIGONE and OEDIPUS THE KING, the play Aristotle called the perfect model of Greek tragedy.<b
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