Once the Deed Is Done

The new novel from the Booker Prize-shortlisted author of The Dark Room and A Boy in Winter

I read Once the Deed is Done with great pleasure . . . Once again, Rachel Seiffert uncovers a little regarded realm of history, here exploring the pain and confusion of displaced persons at the end of the Second World War which hardly any novels have yet done. Great characters - taking us deep into the physical challenges and moral quandaries of the time -- Tim Pears
I love that her novels take me to unexplored places and times. The forgotten period of the DP (Displaced People) camps in the immediate aftermath of the war has always fascinated me and she has brought to life a complex interaction between survivors on both sides with humanity and compassion -- Linda Grant
The language has a directness that wouldn't be out of place in a children's story . . . it gives it, despite the historical precision, something of the feel of myth or fable. A complex, intelligent, deeply compassionate novel about the unglamorous aftermath of war. The research and imaginative recreation of the period is so impressive. A brilliant piece of story-telling - stubbornly hopeful. I hope it finds lots of readers. It deserves to and I think it will. -- Andrew Miller
The structure is brilliant - the accounts are woven together, the different characters subtly appear in each other's stories, and we care about them ALL. The Heide is wonderfully evoked; I could smell the earth and the sand tracks and the inside of the shepherd's hut. Such a beautiful and powerful book. Emotional yet unsentimental, Rachel Seiffert's focus on a small, rural town in North Germany, from Burgermeister to abandoned baby unforgettably reminds us of the cost of war -- Lucy Jago
It's a marvel, how Rachel Seiffert manages to choreograph such a cast of soldiers and citizens, nurses and prisoners, parents, siblings, and children, in all their displacements - geographical, emotional, and moral - in prose that is so lucid, so understated that this entire novel reverberates with the cataclysmic consequences of Germany's Final Solution in ways that only haunt the reader more and more deeply, long after its last page. Once the Deed is Done is an incredible work of art, of witness and it is an incredible act of love -- Paul Harding, Booker prize author of THIS OTHER EDEN
Robert Seethaler, Sebastian Faulks and Anthony Doerr have played with the heroic narrative of resistance figures . . . few have surveyed this murky territory as well as the British author Rachel Seiffert. Seiffert is skilled at invoking characters stricken by conflicting loyalties to family and country, as well as between notions of justice and forgiveness . . . In its depiction of random violence and random kindness, Seiffert's book is humane and horribly believable. It is also a crime novel in the sense that To Kill a Mockingbird is a crime novel. One in which a whole community is culpable Financial Times
Marvellous . . . Seiffert juggles a very large cast with immense skill in a wide-ranging novel that beautifully balances the tumultuous reach of history with the everyday concerns of ordinary people Daily Mail
The fine fifth novel from the German-British author Rachel Seiffert . . . [who] is drawn to small figures on a big canvas. Her subjects are the everyday casualties of 20th-century European history and the hazardous, dirty backwash of the second world war. Once the Deed Is Done stirs memories of the centrepiece tale from Seiffert's Booker-shortlisted debut, The Dark Room with its depiction of a people cast adrift, struggling to find a route home . . . Seiffert has cited Joseph Roth - that great chronicler of mittel-European dislocation - as a literary influence. She writes in a similar fashion . . . a direct approach serves the characters well, brings this straitened and provisional world to life and provides a bedrock of basic humanity. Guardian
The patron saint of this gripping novel is Bertolt Brecht. This is a fascinating novel by one of our very best writers Jewish Chronicle

Rachel Seiffert is one of Virago's most critically acclaimed contemporary novelists. Her first book, The Dark Room, (2001) was shortlisted for the Man Booker Prize, and made into the feature film Lore. In 2003, she was named one of Granta's Best of Young British Novelists, and in 2011 she received the EM Forster Award from the American Academy of Arts and Letters. Field Study, her collection of short stories published in 2004, received an award from PEN International. Her second novel, Afterwards (2007) third novel The Walk Home (2014), and fourth novel A Boy in Winter (2017), were all longlisted for the Women's Prize for Fiction. Her books have been published in eighteen languages.

To be truly alive means having to make choices To be truly alive is also, quite simply, to love 1945. Dead of night and dead of winter; war brings a stranger to the door; a family is tricked into a act of compassion and danger.Later when peace finally arrives in their small town on the German Heide, Freya and her sister are grateful. The fighting is over, so are the Nazi times; the labour camp on the town outskirts will surely be closed now.But with peace come soldiers - English this time - and hundreds of new arrivals: more strangers - forced labourers from across the heathland and beyond, all with their own losses and stories, and all housed in a new camp on the site of the old. Among these refugees are children - Janina and Lukas - waiting and waiting for word of their mother.In Freya's home too there is waiting -to be asked about that snowy night; and family secrets, that Freya and her sister must confront. When is an act of kindness an act of betrayal?

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