Valentine Grey

London 1897 and a young girl, Valentine Grey, arrives in England. She's been brought up in the remote and sunny climes of India and finds being forced into corsets and skirts in damp and cold country insufferable. The only bright spot: her exciting cousin, Reggie. Reggie, and his lover Frank seek out the adventure the clandestine bars and streets of London offer and are happy to include Valentine in their secret, showing her theatre, gardens - even teaching her how to ride a bicycle.

And then comes the Boer War and Reggie's father volunteers him; the empire must be defended. But it won't be Reggie who dons the Volunteer Regiment's garb. Valentine takes her chance, puts on her cousin's uniform, leaving Reggie behind and heads off to war. And for a long while it's glorious and liberating for both of the cousins, but war is not glorious and in Victorian London homosexuality is not liberating. . .

Long-listed for Green Carnation Prize 2012 (UK)

“Toksvig's warm characterisation drives the narrative, especially when set against her droll yet richly detailed evocation of an unedifying period of modern history . . . Toksvig's shining creation, Valentine Grey, [is] a courageous and captivating character . . . begging for a sequel”

Toksvig's warm characterisation drives the narrative, especially when set against her droll yet richly detailed evocation of an unedifying period of modern history . . . Toksvig's shining creation, Valentine Grey, [is] a courageous and captivating character . . . begging for a sequel - Sunday Telegraph - Lucy Beresford

Teasing out untold stories of the battlefield and of gay history . . . follows in the footsteps of the likes of Sarah Waters and Pat Barker . . . Toksvig's seemingly effortless ability to entertain shines through - Independent - Lucy Scholes

Following a first-class degree from Cambridge, Sandi Toksvig went into the theatre as a writer and performer and was a founder member of the Comedy Store Players. Well known for her television and radio work as a presenter, writer and actor, she has written six books for children. Her first adult novel, WHISTLING FOR THE ELEPHANTS, was published in 1999.

'Teasing out untold stories of the battlefield and of gay history . . . follows in the footsteps of the likes of Sarah Waters and Pat Barker . . . Toksvig's seemingly effortless ability to entertain shines through' Lucy Scholes, Independent London 1897 and a young girl, Valentine Grey, arrives in England from the sunnier climes of India. She finds the damp and cold country insufferable and the only bright spot is her exciting cousin, Reggie. He and his lover, Frank, seek out adventure in the clandestine bars and streets of London, and are happy to include Valentine in their secret. And then comes the Boer War. But it won't be Reggie who dons the Volunteer Regiment's garb. Valentine takes her chance, puts on her cousin's uniform, and heads off to war. And for a while it's glorious and liberating, but war is not glorious and in Victorian London homosexuality is not liberating . . . 'Toksvig's warm characterisation drives the narrative, especially when set against her droll yet richly detailed evocation of an unedifying period of modern history . . . begging for a sequel' Lucy Beresford, Sunday Telegraph

London 1897 and a young girl, Valentine Grey, arrives in England. She's been brought up in the remote and sunny climes of India and finds being forced into corsets and skirts in damp and cold country insufferable. The only bright spot: her exciting cousin, Reggie. Reggie, and his lover Frank seek out the adventure the clandestine bars and streets of London offer and are happy to include Valentine in their secret, showing her theatre, gardens - even teaching her how to ride a bicycle.And then comes the Boer War and Reggie's father volunteers him; the empire must be defended. But it won't be Reggie who dons the Volunteer Regiment's garb. Valentine takes her chance, puts on her cousin's uniform, leaving Reggie behind and heads off to war. And for a long while it's glorious and liberating for both of the cousins, but war is not glorious and in Victorian London homosexuality is not liberating. . .

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