The Glass Room

Cool. Balanced. Modern. The precisions of science, the wild variance of lust, the catharsis of confession and the fear of failure - these are things that happen in the Glass Room.

High on a Czechoslovak hill, the Landauer House shines as a wonder of steel and glass and onyx built specially for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But the radiant honesty of 1930 that the house, with its unique Glass Room, seems to engender quickly tarnishes as the storm clouds of WW2 gather, and eventually the family must flee, accompanied by Viktor s lover and her child.

But the house s story is far from over, and as it passes from hand to hand, from Czech to Russian, both the best and the worst of the history of Eastern Europe becomes somehow embodied and perhaps emboldened within the beautiful and austere surfaces and planes so carefully designed, until events become full-circle.

Short-listed for Walter Scott Prize 2010 (UK)
Short-listed for Jewish Quarterly Wingate Prize 2010 (UK)
Short-listed for Man Booker Prize 2009 (UK)
Long-listed for IMPAC Dublin Literary Award 2011 (UK)

“ '[THE GLASS ROOM'S] poetic success is to remind us of two great gilt-edged ironies: that whatever is held to be the height of modernity is already en route to the museum, and that even "cold" art is the embodiment of its maker's passion - one that can”

THE GLASS ROOM is a fiction of many remarkable qualities . . . Mawer s control of his themes of language, desire, memory and the power of place is extraordinary - as haunting and mysterious as the effect of sunlight on the wall of golden onyx that survives all the convulsions by which his characters are engulfed Jane Shilling, THE DAILY TELEGRAPH

[THE GLASS ROOM'S] poetic success is to remind us of two great gilt-edged ironies: that whatever is held to be the height of modernity is already en route to the museum, and that even cold art is the embodiment of its maker s passion - one that can prove contagious Richard T Kelly, FINANCIAL TIMES

Mawer creates a passionately detailed portrait of individuals struggling to snatch order and happiness from frightening, irrational times . . . THE GLASS ROOM achieves a rare feat of being truly enjoyable to read. Rachel Aspden, SUNDAY TELEGRAPH

'Love triangles litter Mawer's story. They bear witness to his great talent for grasping the non-linear nature of desire. Philip Oltermann, THE TIMES

Exciting, profoundly affecting and altogether wonderful DAILY MAIL

A novel of remarkable qualities DAILY TELEGRAPH

Compelling. A wholly enjoyable and moving read INDEPENDENT

Truly enjoyable to read SUNDAY TELEGRAPH

Transcends mere cleverness to become profound GUARDIAN

Exciting, profound and altogether wonderful DAILY MAIL

Definitely Booker-ish SPECTATOR

Simon Mawer was born in 1948 in England, and spent his childhood there, in Cyprus and in Malta. He has lived with his wife in Italy for more than 20 years, and he teaches at the English School in Rome.

Cool. Balanced. Modern. The precisions of science, the wild variance of lust, the catharsis of confession and the fear of failure - these are things that happen in the Glass Room.High on a Czechoslovak hill, the Landauer House shines as a wonder of steel and glass and onyx built specially for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But the radiant honesty of 1930 that the house, with its unique Glass Room, seems to engender quickly tarnishes as the storm clouds of WW2 gather, and eventually the family must flee, accompanied by Viktor s lover and her child. But the house s story is far from over, and as it passes from hand to hand, from Czech to Russian, both the best and the worst of the history of Eastern Europe becomes somehow embodied and perhaps emboldened within the beautiful and austere surfaces and planes so carefully designed, until events become full-circle.

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