The making and meaning of Radiohead's groundbreaking, controversial, epoch-defining album, Kid A.
The making and meaning of Radiohead's groundbreaking, controversial, epoch-defining album, Kid A.
In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record.
Instead, they set out to create the future.For more than a year, they battled writer's block, inter-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era, and embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture.What they created was Kid A.At the time, Radiohead's fourth album divided critics. Some called it an instant classic; others, including the U.K. music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the 21st century.Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture, in time for its 20th anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.“"With the conversational irreverence of the guy sitting down at the bar, Hyden draws connections to hybrid rock acts like Linkin Park, surreal and misanthropic blockbusters like Fight Club and Vanilla Sky , the internet's transformation from a utopian dream into a dystopian nightmare, and the tragedy on 9/11. For good measure (and fan service), he bookends This Isn't Happening 's cultural insights with key Radiohead-related events occurring before and after the album."-- Pitchfork”
"This Isn't Happening is beyond a mere analysis of Kid A. It is a vast and contextual examination of the world, both inside and outside of Radiohead, leading up to and flowing away from the creation of Kid A and its impact on both the band and culture as a whole. Connecting the record to film, politics, current events, and the cultural morass that comprised the final moments of the '90s, Steven Hyden gleefully and with meticulous absurdity dissects, deconstructs, and decodes the first great artistic enigma of the new millennium."--Alex Ross Perry, writer/director of Her Smell, Listen Up Philip, and TheColor Wheel
"This Isn't Happening is a foundational text for understanding a difficult, prophetic album, and an addictive read for any fan of Radiohead."--Buzzfeed
"This Isn't Happening not only is an excellent way to revisit Kid A but also a springboard for thinking about the shifting fortunes of rock music, the Internet, and the uneasy century we've been living in for the past 20 years."--Ezra Koenig of VampireWeekend
"[Hyden is] one of America's foremost rock critics."
--Wall Street Journal
WIRED's Gadget Lab, "Recommended Reading"
The Wall Street Journal, Arts & Entertainment Fall 2020 Preview Jam Base, "Top Music Books of 2020"
Engadget, "The books, movies and music we're gifting this year"
Steven Hyden is the author of Twilight Of The Gods, Your Favorite Band Is Killing Me, and (with Steve Gorman) Hard To Handle. His writing has appeared in the New York Times Magazine, Washington Post, Billboard, Pitchfork, Rolling Stone, Grantland, The A.V. Club, Slate and Salon. He is currently the cultural critic at UPROXX. He lives in Minnesota with his wife and two children.
In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record.Instead, they set out to create the future.For more than a year, they battled writer's block, inter-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era, and embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture.What they created was Kid A .At the time, Radiohead's fourth album divided critics. Some called it an instant classic; others, including the U.K. music magazine Melody Maker , deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the 21st century.Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A , outlining the album's pervasive influence and impact on culture, in time for its 20th anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.
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