The extraordinary bestselling author, who wrote three astonishing Victorian novels before moving to the 1940s with The Night Watch and The Little Stranger , now turns to the 1920s.
The extraordinary bestselling author, who wrote three astonishing Victorian novels before moving to the 1940s with The Night Watch and The Little Stranger, now turns to the 1920s.
Paperback
PRODUCT INFORMATION
Summary
The extraordinary bestselling author, who wrote three astonishing Victorian novels before moving to the 1940s with The Night Watch and The Little Stranger , now turns to the 1920s.
The extraordinary bestselling author, who wrote three astonishing Victorian novels before moving to the 1940s with The Night Watch and The Little Stranger, now turns to the 1920s.
Description
SHORTLISTED FOR THE WOMEN'S PRIZE
This novel from the internationally bestselling author of The Little Stranger, is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' (Guardian)
It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.
For with the arrival of Lilian and Leonard Barber, a modern young couple of the 'clerk class', the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be.
This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all a wonderful, compelling story.
'You will be hooked within a page . . . At her greatest, Waters transcends genre: the delusions in Affinity (1999), the vulnerability in Fingersmith (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But The Paying Guests is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep' -Charlotte Mendelson, Financial Times
Awards
Winner of IBW Book Award 2015 (UK)
Long-listed for The Walter Scott Prize for Historical Fiction 2015 (UK)
Long-listed for Baileys Women's Prize for Fiction 2015 (UK)
Long-listed for IMPAC Dublin Literary Award 2016 (UK)
Critic Reviews
“Waters is an author to cherish”
A page-turning melodrama and a fascinating portrait of London on the verge of great change - Guardian
You will be hooked within a page . . . At her greatest, Waters transcends genre: the delusions in Affinity (1999), the vulnerability in Fingersmith (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But The Paying Guests is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep - Financial Times
A masterpiece of social unease . . . It isn't so much the plot that makes you read on - the novel's armature is a comparatively uncomplicated suspense narrative but barnacled to it is an astonishing accretion of detail . . . A virtuoso feet of storytelling - Evening Standard
Sarah Waters is, quite simply, one of our greatest writers - Sunday Express
About the Author
Sarah Waters was born in Wales. She has won a Betty Trask Award, the Somerset Maugham Award and her books have been shortlisted for the Man Booker Prize and the Orange Prize. Tipping the Velvet, Affinity, Fingersmith and The Night Watch have been adapted for television. Sarah Waters has been named Author of the Year four times: by the British Book Awards, the Booksellers' Association, Waterstone's Booksellers and the Stonewall Awards. She lives in London. She was awarded an OBE in 2019.
Back Cover
It is 1922, and in a hushed south London villa life is about to be transformed, as genteel widow Mrs Wray and her discontented daughter, Frances, are obliged to take in lodgers. Lilian and Leonard Barber, a modern young couple of the 'clerk class', bring with them gramophone music, colour, fun - and dangerous desires. The most ordinary of lives, it seems, can explode into passion and drama . . . A love story that is also a crime story, this is vintage Sarah Waters. 'Another wild ride of a novel . . . magnetic storytelling' Tracy Chevalier, Observer 'Sumptuous . . . the writing is impeccable. A joy in every respect' Lionel Shriver, New Statesman 'You will be hooked within a page . . . the apotheosis of her talent . . . I have tried and failed to find a single negative thing about it' - Charlotte Mendelson, Financial Times 'An unsurpassed fictional recorder of vanished eras and hidden lives' - Peter Kemp, Sunday Times A New York Times Notable Book of the Year
SHORTLISTED FOR THE WOMEN'S PRIZE This novel from the internationally bestselling author of The Little Stranger , is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' ( Guardian ) It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.For with the arrival of Lilian and Leonard Barber, a modern young couple of the 'clerk class', the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be.This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all a wonderful, compelling story. 'You will be hooked within a page . . . At her greatest, Waters transcends genre: the delusions in Affinity (1999), the vulnerability in Fingersmith (2002), the undercurrents of social injustice and the unexplained that underlie all her work, take her, in my view, well beyond the capabilities of her more seriously regarded Booker-winning peers. But The Paying Guests is the apotheosis of her talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep' -Charlotte Mendelson, Financial Times
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