Wayward

'Furious and addictive' New York Times

'Urgent, deeply moving, wholly original' George Saunders, the Man Booker-Prize winning author of Lincoln in the Bardo

'A dazzling lightning bolt of a novel' Jenny Offill

'Fiercely funny and deliciously subversive' Yiyun Li

Just as it seems she has it all, Samantha Raymond's life begins to come apart: Trump has been elected, her mother is ill and her teenage daughter is increasingly remote. At fifty-two she finds herself staring into 'the Mids' - those night-time hours of supreme wakefulness where women of a certain age contemplate their lives. In Sam's case, this means motherhood, mortality, and the state of an unravelling nation.

When Sam falls in love with a beautiful, decrepit house on the wrong side of town, she buys it on a whim and flees her suburban life - and her family - in an attempt to find beauty in the ruins.

'Exhilarating. . . A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad' New York Times Book Review

'What begins as a vertiginous leap into hilarious rabbit holes ends as a brilliant meditation on mortality and time. How does she do it? Only Dana Spiotta knows. I'm just happy to see her work her magic' Jenny Offill

“An urgent, deeply moving, wholly original novel by one of the most wildly talented writers in America. This is Spiotta's best book yet, rich with all the joyful immersion-in-culture that characterized her earlier work, and of which she is a master, but with, it seems to me, more heart, hope, and urgency. There's not a smarter, more engaging, more celebratory writer working today than Dana Spiotta, and here she shows us to ourselves with stunning, sometimes lacerating, honesty, but also with a feeling of genuine hope for us, i.e., with kindness. I finished the book last night and woke this morning both fonder of, and more terrified for, AmericaA dazzling lightning bolt of a novel which illuminates the sometimes exhilarating, sometimes heartbreaking moments of connection and disconnection in our lives. What begins as a vertiginous leap into hilarious rabbit holes ends as a brilliant meditation on mortality and time. How does she do it? Only Dana Spiotta knows. I'm just happy to see her work her magicWhat a thrilling experience to take a wayward journey along with Dana Spiotta's heroine, in the social landscape of America when America is probing its future, in a woman's complex internal landscape as she forges forward. Wayward is a fiercely funny and deliciously subversive novelFurious and addictive . . . Sam [is] an ideal guide, rash, funny, searching, entirely unpredictable, appalled at her own entitlement and ineffectuality-drawn with a kind of skeptical fondness . . . So much contemporary fiction swims about in its own theories; what a pleasure to encounter not just ideas about the thing, but the thing itself-descriptions that irradiate the pleasure centers of the brain, a protagonist so densely, exuberantly imagined, she feels like a visitation. - New York Times”

An urgent, deeply moving, wholly original novel by one of the most wildly talented writers in America. This is Spiotta's best book yet, rich with all the joyful immersion-in-culture that characterized her earlier work, and of which she is a master, but with, it seems to me, more heart, hope, and urgency. There's not a smarter, more engaging, more celebratory writer working today than Dana Spiotta, and here she shows us to ourselves with stunning, sometimes lacerating, honesty, but also with a feeling of genuine hope for us, i.e., with kindness. I finished the book last night and woke this morning both fonder of, and more terrified for, America -- George Saunders
A dazzling lightning bolt of a novel which illuminates the sometimes exhilarating, sometimes heartbreaking moments of connection and disconnection in our lives. What begins as a vertiginous leap into hilarious rabbit holes ends as a brilliant meditation on mortality and time. How does she do it? Only Dana Spiotta knows. I'm just happy to see her work her magic -- Jenny Offill
What a thrilling experience to take a wayward journey along with Dana Spiotta's heroine, in the social landscape of America when America is probing its future, in a woman's complex internal landscape as she forges forward. Wayward is a fiercely funny and deliciously subversive novel -- Yiyun Li
Thrilling . . . Spiotta's novels are unfailingly dense with life-the textures, digressions, and details thereof-and Wayward is no exception. The novel is at once satirical and earnest: Sam asks what she can do to atone for her thoughtless privilege, what role she might play as an agent of change. There's much comedy in the asking, but the novel makes clear that the answers aren't straightforward. Spiotta offers grand themes and beautiful peripheral incidents . . . she writes with sly humor and utter seriousness; a rare articulation of midlife now. For this reader, there is uncommon pleasure in the paradoxes of this climacteric tale -- Claire Messud Harper's Magazine
Dana Spiotta's novel Wayward is razor-sharp on any number of things, above all the insoluble ravages of time -- Joshua Ferris Observer
Furious and addictive . . . Sam [is] an ideal guide, rash, funny, searching, entirely unpredictable, appalled at her own entitlement and ineffectuality-drawn with a kind of skeptical fondness . . . So much contemporary fiction swims about in its own theories; what a pleasure to encounter not just ideas about the thing, but the thing itself-descriptions that irradiate the pleasure centers of the brain, a protagonist so densely, exuberantly imagined, she feels like a visitation -- Parul Sehgal New York Times
Exhilarating. . . Wayward reads like a burning fever dream. A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad New York Times Book Review
A comic, vital new novel . . . if Wayward has competition in the category of best American novel devoted to the subject of perimenopause, I am not aware of it . . . [Spiotta] is satirizing her own demographic, and with verve . . When a wife, not her husband, is the one to indulge a midlife crisis and abandon her family, her behavior is either derided as selfish or championed as subversive. A good novel shouldn't ask us to choose between those readings, and Spiotta has written a very good novel. -- Alexandra Schwartz The New Yorker
Wayward is a strikingly human and affecting story... gloriously cool, deftly assembled, brimming with mood... a hymn to iconoclasm, a piercing novel about what we lose and gain by when we step out of life's deepest worn grooves -- Vogue's 'Best Books to Read in 2021'
Wayward is about rescuing your life from the mess you've made of it so far, while your body goes haywire ... Simmering under Spiotta's deceptively breezy, fluid description of everyday life in 2017 Syracuse are large and perplexing questions about the eternal interplay of idealism and pragmatism, of the longing for a better world and the reality of human frailty. . . Sam dissects many flavors of contemporary delusion and distraction with consummate precision -- Laura Miller Slate

Breathtaking... a strikingly intelligent book, sometimes funny, sometimes painful . . . a book that masterfully explores the pressures of being a woman in a hostile society. The characters are stubbornly defiant, and Spiotta does a wonderful job depicting [Sam and her daughter Ally] in their twin rebellions. A brilliant novel with love - never a simple subject - at its core

-- Michael Schaub Minneapolis Star Tribune
Riddled with insights into aging, womanhood, and discontent, Wayward is as elegant as it is raw, and almost as funny as it is sad Philadelphia Inquirer
Set in upstate New York, this smartly observed tale of inter-generational strife follows Sam . . . We join the action when, angry at Donald Trump's election, she walks out on her marriage, to the ire of her teenage daughter, Ally. Spiotta tells the story from both their perspectives in a ruefully funny portrait of the difficulties of navigating womanhood -- Anthony Cummins Mail on Sunday
If there's any justice in the world, Spiotta's firecracker of a novel, Wayward, will bring her the attention she very much deserves . . . this is the story of one woman's mid-life reckoning. [Wayward is] about mothers and daughters, husbands and wives, sex, love and freedom . . . Spiotta is a crisp and alert stylist -- Lucy Scholes Sunday Telegraph
A slyly funny, clever and compelling story about the righteous (and rarely irrational) rage of women of a certain age -- Sarra Manning Red magazine
A smart look at midlife, the menopause and mother-daughter dynamics Good Housekeeping
A magnificent book, constantly surprising, fierce, sympathetic and original -- Susie Boyt

Dana Spiotta is the author of Innocents and Others, which won the St. Francis College Literary Prize and was short-listed for The Los Angeles Times Book Prize; Stone Arabia, which was a National Book Critics Circle Award finalist; Eat the Document, which was a National Book Award finalist; and Lightning Field. Spiotta was a Guggenheim Fellow, a New York Foundation for the Arts Fellow, and she won the 2008-9 Rome Prize from the American Academy in Rome. In 2017, the American Academy of Arts and Letters awarded her the John Updike Prize in Literature. Spiotta lives in Syracuse and teaches in the Syracuse University MFA program.

'Furious and addictive' New York Times 'Urgent, deeply moving, wholly original' George Saunders, the Man Booker-Prize winning author of Lincoln in the Bardo 'A dazzling lightning bolt of a novel' Jenny Offill 'Fiercely funny and deliciously subversive' Yiyun Li Just as it seems she has it all, Samantha Raymond's life begins to come apart: Trump has been elected, her mother is ill and her teenage daughter is increasingly remote. At fifty-two she finds herself staring into 'the Mids' - those night-time hours of supreme wakefulness where women of a certain age contemplate their lives. In Sam's case, this means motherhood, mortality, and the state of an unravelling nation.When Sam falls in love with a beautiful, decrepit house on the wrong side of town, she buys it on a whim and flees her suburban life - and her family - in an attempt to find beauty in the ruins. 'Exhilarating. . . A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad' New York Times Book Review 'What begins as a vertiginous leap into hilarious rabbit holes ends as a brilliant meditation on mortality and time. How does she do it? Only Dana Spiotta knows. I'm just happy to see her work her magic' Jenny Offill

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