The Stories

Throughout her career, prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy and narrative brilliance of her longer fiction.

Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets. A mother watching her children on the beach dreams of a long-lost lover, an abandoned army wife sees a ghost at a moorland gate, a translator adrift in Geneva is haunted by the unspeakable manifestation of her own fears, and a colonial servant wreaks a delicious revenge on her monstrous masters. Gardam's cast is wide and wonderful, saints and mystics, trollops and curmudgeons, yearning mothers and lost children, beloved figures such as Old Filth and less familiar - but equally unforgettable - characters like Signor Settimo, the sad-eyed provincial photographer marooned in Shipley or Florrie Ironside, the ferocious matron he seduces.

With a mischievous ear for dialogue, a glittering eye for detail and a capacious understanding of the vagaries of the human heart, Jane Gardam's stories will captivate, sadden and delight.

“She has the Austeneaque quality of being satisfying and disquieting, conventional and experimental . . . conversational, lucid, realist yet fantastical, she can be outrageously funny, gradually revealing her characters by what is not said, and not seen . . . one of our greatest living writers - Independent on SundayPure delight - The TimesEach one of these narratives - none of them afraid of looking into the great terrifying secrets of love and grief, death, ageing and faith in a mere handful of pages - make the heart race. Sly, sharp and mischievous . . . It is Gardam's gift for the ecstatic, for showing us what a place of wonders is the world and the hearts that dwell in it, that endows this collection with a dangerous and formidable energy. She gives us miracle heaped upon miracle - GuardianFull of wit, unexpected turns of events and splendid writing - GuardianSharp, humane, generous and wonderfully funny, she is one of our finest writers.”

She has the Austeneaque quality of being satisfying and disquieting, conventional and experimental . . . conversational, lucid, realist yet fantastical, she can be outrageously funny, gradually revealing her characters by what is not said, and not seen . . . one of our greatest living writers - Independent on Sunday

Pure delight - The Times

Each one of these narratives - none of them afraid of looking into the great terrifying secrets of love and grief, death, ageing and faith in a mere handful of pages - make the heart race. Sly, sharp and mischievous . . . It is Gardam's gift for the ecstatic, for showing us what a place of wonders is the world and the hearts that dwell in it, that endows this collection with a dangerous and formidable energy. She gives us miracle heaped upon miracle - Guardian

Full of wit, unexpected turns of events and splendid writing - Guardian

Sharp, humane, generous and wonderfully funny, she is one of our finest writers.

Jane Gardam is the only writer to have been twice awarded the Whitbread/Costa Prize for Best Novel of the Year, for The Queen of the Tambourine and The Hollow Land. She also holds a Heywood Hill Literary Prize for a lifetime's contribution to the enjoyment of literature. She is the author of five volumes of acclaimed stories: Black Faces, White Faces (David Higham Prize and the Royal Society of Literature's Winifred Holtby Prize); The Pangs of Love (Katherine Mansfield Prize); Going into a Dark House (Silver Pen Award from PEN); Missing the Midnight; and The People on Privilege Hill. Her novels include God on the Rocks, which was shortlisted for the Booker Prize; Faith Fox; The Flight of the Maidens; the bestselling Old Filth, which was shortlisted for the Orange Prize in 2005; The Man in the Wooden Hat; and Last Friends. Jane Gardam was born in Yorkshire. She now lives in east Kent.

'Sly, sharp and mischievous, in these stories Gardam chooses precisely society's quietest and most overlooked characters - the old and shy and sheepish, conservative wives, stay-at-home mothers and impoverished ex-colonials, dwellers in cottages and suburban villas - to explore the fiercest passions. She has an extraordinary ability to enter the interior of the long-lived mind and to illuminate history through it; she is particularly fine on that strain of Englishness trained to repress and conceal emotion, and she entitles the most marginal of figures to love, and to beauty. 'It is Gardam's gift for the ecstatic, for showing us what a place of wonders is the world and the hearts that dwell in it, that endows this collection with a dangerous and formidable energy, richer and more concentrated than any novel. She gives us miracle heaped upon miracle' Christobel Kent, Guardian 'A deeply, impeccably humane and pleasurable book' Independent 'Pure delight' The Times

Throughout her career, prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets. A mother watching her children on the beach dreams of a long-lost lover, an abandoned army wife sees a ghost at a moorland gate, a translator adrift in Geneva is haunted by the unspeakable manifestation of her own fears, and a colonial servant wreaks a delicious revenge on her monstrous masters. Gardam's cast is wide and wonderful, saints and mystics, trollops and curmudgeons, yearning mothers and lost children, beloved figures such as Old Filth and less familiar - but equally unforgettable - characters like Signor Settimo, the sad-eyed provincial photographer marooned in Shipley or Florrie Ironside, the ferocious matron he seduces. With a mischievous ear for dialogue, a glittering eye for detail and a capacious understanding of the vagaries of the human heart, Jane Gardam's stories will captivate, sadden and delight.

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