From the author of the latest official James Bond novel
'Charlie Higson's thrillers are major events' Mark Billingham'Very funny and utterly unstoppable' The Times'A sizzlingly paced modern thriller' NMEA man kills a prospective buyer for his car. On the verge of becoming a name in the interior design world, he can't afford a scandal and must discreetly dispose of the body - not an easy job when the whole of London seems to be conspiring against him.Action, consequence, retribution: Getting Rid of Mister Kitchen is a sustained nightmare of thwarted ambition, a Dante-esque tour of a world at home with Tarantino and temazepam, where motive is meaningless and justice is just another victim.“This is black farce with bellson, or Martin Amis as slapstick . . . very funny and utterly unstoppable”
Charlie Higson's thrillers are always major events Mark Billingham
A funny, frightening book, full of powerful, open-hearted material and with a strong line in suspense TLS
A sizzingly paced modern thriller with outbursts of thumpingly sick black humour... It is fast. It is cruel. It is comical. It is vastly entertaining, and not a little disturbing NME
A tour-de-force... captures right-wing arrogance magnificently Scotland on Sunday
This is a black farce with bells on, or Martin Amis as slapstick... very funny and utterly unstoppable The Times
Charlie Higson started writing when he was ten years old. After university he was a singer and painter and decorator before he started writing for television. He went on to create and star in the hugely successful comedy series The Fast Show. He is the author of the bestselling Young Bond books and the incredibly successful horror series, The Enemy.
Charlie doesn't do Facebook, but you can tweet him @monstroso.'Charlie Higson's thrillers are major events' Mark Billingham 'Very funny and utterly unstoppable' The Times 'A sizzlingly paced modern thriller' NME A man kills a prospective buyer for his car. On the verge of becoming a name in the interior design world, he can't afford a scandal and must discreetly dispose of the body - not an easy job when the whole of London seems to be conspiring against him.Action, consequence, retribution: Getting Rid of Mister Kitchen is a sustained nightmare of thwarted ambition, a Dante-esque tour of a world at home with Tarantino and temazepam, where motive is meaningless and justice is just another victim.
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