A compulsive and haunting tale of the passion, betrayal, sensuality and ambiguity at the heart of shifting metropolitan lives
This is a sensual and unnerving story of passion, attachment and the strange, indissoluble connection we have with our partner's former lovers. It is the second novel by the author of 'After You'd Gone'.
A compulsive and haunting tale of the passion, betrayal, sensuality and ambiguity at the heart of shifting metropolitan lives
This is a sensual and unnerving story of passion, attachment and the strange, indissoluble connection we have with our partner's former lovers. It is the second novel by the author of 'After You'd Gone'.
From the author of HAMNET and I AM, I AM, I AM comes the Sunday Times Top Ten bestseller (2002) MY LOVER'S LOVER, an intense, unnerving and passionate story of betrayal, loss and love, with all the frisson and psychological intensity of Rebecca.
When Lily moves into Marcus's flat and plunges headlong into a relationship, she must contend not merely with the disapproval of flatmate Aidan, but with a more intangible, hostile presence. Could it be that Sinead, Marcus's ex, is trying to communicate with her? When Lily begins to 'see' Sinead, first about the flat, and then on the streets of London, she must question not merely her sanity, but whether the man she loves is someone she can, or indeed ought, to live with at all.“A quietly dramatic dissection of the way past loves can haunt the present - Daily Telegraph...an emotional whirlwind, all passionate yearnings, raw pain and messy truths; powerful in nailing the complications of love without missing it out the power of the emotions involved - ScotsmanThis Rebecca-esque ghost story puts at its heart the gnawing insecurities that any act of intimacy soon invites - IndependentO'Farrell's writing has a crystalline precision of idiom - there isn't one image that fails to ignite recognition - Independent on SundayO'Farrell has honourably equalled the success of her first novel, After You'd Gone , with a story that is certainly as absorbing - and just as beautifully written - Sunday Express”
A quietly dramatic dissection of the way past loves can haunt the present - The Daily Telegraph
...an emotional whirlwind, all passionate yearnings, raw pain and messy truths; powerful in nailing the complications of love without missing it out the power of the emotions involved - The ScotsmanThis Rebecca-esque ghost story puts at its heart the gnawing insecurities that any act of intimacy soon invites - The IndependentO'Farrell's writing has a crystalline precision of idiom - there isn't one image that fails to ignite recognition - Independent on SundayO'Farrell has honourably equalled the success of her first novel, After You'd Gone, with a story that is certainly as absorbing - and just as beautifully written - Sunday ExpressMaggie O'Farrell is the author of HAMNET, Winner of the Women's Prize for Fiction 2020, and the memoir I AM, I AM, I AM, both Sunday Times no. 1 bestsellers. Her novels include AFTER YOU'D GONE, MY LOVER'S LOVER, THE DISTANCE BETWEEN US, which won a Somerset Maugham Award, THE VANISHING ACT OF ESME LENNOX, THE HAND THAT FIRST HELD MINE, which won the 2010 Costa Novel Award, INSTRUCTIONS FOR A HEATWAVE, THIS MUST BE THE PLACE and THE MARRIAGE PORTRAIT, which was shortlisted for the Women's Prize. She is also the author of three books for children, WHERE SNOW ANGELS GO, THE BOY WHO LOST HIS SPARK and WHEN THE STAMMER CAME TO STAY. She lives in Edinburgh.
From the author of HAMNET and I AM, I AM, I AM comes the Sunday Times Top Ten bestseller (2002) MY LOVER'S LOVER, an intense, unnerving and passionate story of betrayal, loss and love, with all the frisson and psychological intensity of Rebecca. When Lily moves into Marcus's flat and plunges headlong into a relationship, she must contend not merely with the disapproval of flatmate Aidan, but with a more intangible, hostile presence. Could it be that Sinead, Marcus's ex, is trying to communicate with her? When Lily begins to 'see' Sinead, first about the flat, and then on the streets of London, she must question not merely her sanity, but whether the man she loves is someone she can, or indeed ought, to live with at all.
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