Tom Waits in his own words: a collection of three decades' worth of interviews with Tom Waits
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Tom Waits in his own words: a collection of three decades' worth of interviews with Tom Waits
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I've never met anyone who made it with a chick because they owned a Tom Waits album. I've got all three and it's never helped me,' - Tom Waits.
Born, seemingly, in the back of a taxi cab outside a hospital in California, in December 1949, the young Tom Waits graduated through the jobs of janitor, dishwasher and cook to the position of doorman at a small L.A. club. Existing on a diet of whiskey, cigarettes and beat writing, he now added folk and jazz to his formative influences. In 1969, Captain Beefheart manager Herb Cohen discovered him - and five years later he released his first album, Closing Time, a record soaked in equal parts bourbon and melancholy. His drunken bohemian persona kicked in after this ('The Piano Has Been Drinking, Not Me') and his familiar hoary rasp ('a voice that could guide ships through dense fog'), tales of losers, outsiders, hobos, dingy bar-room joints and seedy diners became the stuff of cult legend. A thirty-year career, steeped in music (over 20 albums), theatre and film.About the Author
Mac Montandon is a music journalist based in New York and has written for many leading music magazines and newspapers. In the nineties he lived a Waitsian existence in Los Angeles. His favourite Tom Waits album is 1976's Small Change.
I've never met anyone who made it with a chick because they owned a Tom Waits album. I've got all three and it's never helped me,' - Tom Waits.Born, seemingly, in the back of a taxi cab outside a hospital in California, in December 1949, the young Tom Waits graduated through the jobs of janitor, dishwasher and cook to the position of doorman at a small L.A. club. Existing on a diet of whiskey, cigarettes and beat writing, he now added folk and jazz to his formative influences. In 1969, Captain Beefheart manager Herb Cohen discovered him - and five years later he released his first album, Closing Time, a record soaked in equal parts bourbon and melancholy. His drunken bohemian persona kicked in after this ('The Piano Has Been Drinking, Not Me') and his familiar hoary rasp ('a voice that could guide ships through dense fog'), tales of losers, outsiders, hobos, dingy bar-room joints and seedy diners became the stuff of cult legend. A thirty-year career, steeped in music (over 20 albums), theatre and film.
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