The comic genius of English writing takes on Hollywood, delusion, celebrity and last century's ultimate glamour couple: Richard Burton and Elizabeth Taylor.
The comic genius of English writing takes on Hollywood, delusion, celebrity and last century's ultimate glamour couple: Richard Burton and Elizabeth Taylor.
Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf.
Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess: the freaks and groupies, the private jets and jewels and the yachts sailing in an azure sea; the magnificent bad taste and greed. It is about the clash of worlds: the filth and decay of South Wales and the grandeur and elegance of Old Hollywood; the fantasies we have about film stars and the fantasies the Burtons had about each other.Thirteen years in the writing, Erotic Vagrancy doesn't only surpass every other biography of Elizabeth Taylor and Richard Burton yet to appear, this rich and articulate book is also about celebrity, creativity, being flawed and being brilliant. Belfast Telegraph
It is one of the very best biographies I have ever read. One of the best books about fame, desire, Hollywood and mid-to-late twentieth-century culture ever written. Inside which, brilliant, hilarious and sensitive insights on all
manner of subject fizz and froth. Magnificent, terrible, tragic, triumphant.
Roger Lewis has achieved considerable word-of-mouth success with Seasonal Suicide Notes. He has also written a biography of Anthony Burgess, and Sunday Times best-selling books on Laurence Olivier, Peter Sellers and the Carry On actor Charles Hawtrey.
Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf. Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess: the freaks and groupies, the private jets and jewels and the yachts sailing in an azure sea; the magnificent bad taste and greed. It is about the clash of worlds: the filth and decay of South Wales and the grandeur and elegance of Old Hollywood; the fantasies we have about film stars and the fantasies the Burtons had about each other.
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