Practice

Six o'clock in the morning, Sunday, at the worn-out end of January.

From the narrowest and most confined of premises, Rosalind Brown has conjured a novel as big as a world. Reading this book is a strange and shimmering joy; a glimpse of a miracle -- Jon McGregor, author of Reservoir 13
I had a lot of fun with Practice by Rosalind Brown. I think only she and Proust can get me into the space where I'm happy to read about someone walking across a room for all these pages. You're reading about reading; you have to be really good to do that in a compelling way. -- Helen Oyeyemi, author of Parasol Against the Axe
A novel spectacularly committed to a young woman's intellectual and bodily appetites, written in exact and tender prose -- Sarah Moss, author of Ghost Wall
A fascinating, beautifully wrought theatre of the mind that reminded me by turns of Virginia Woolf and Nicholson Baker -- Olivia Laing
Practice totally won me over, not least on account of its many passages of exquisite writing -- Mark Haddon, author of The Curious Incident of the Dog in the Night-Time
I was absolutely blown away by Rosalind Brown's Practice. It's a true marvel. It was unlike anything I've ever read before; to read it felt like meditation. I lost myself in every perfect, surprising sentence, in its painfully acute observations. Every day I looked forward to the hour I would spend reading it: I was awed by the care of it, the beauty, the tautness, the way it made the everyday transcendent -- Elizabeth Macneal, author of The Doll Factory
Practice is rich and precise and intelligent. I started counting up paradoxes: a novel about restriction that stages beautiful questions about fantasy; a novel limited to a single day that swoops among time frames; a novel where containment allows for bravura stylistic power. It's a unique novel, and Rosalind Brown is a unique - and wonderful - novelist -- Adam Thirlwell, author of The Future Future
An extraordinary book, a phenomenology of a day in the life of a mind that draws the reader in with an at times alarming closeness and a haunting clarity. I've seldom read such an engaging, persuasively written account of the pleasures, hopes, fears and difficulties of being a person. Nor such an accurate account of what happens when you read. It is beautiful without being precious, intelligent and acute without effort. I loved it -- Dr Ian Patterson
Practice won me round with its good writing. A beautifully written meditation on the contentments of reading. Rosalind Brown feels like the real thing -- Andrew Miller, author of Pure
A day in the life of an introspective and erudite student, Practice makes clear the gulf between an interior life and the one that is presented to the world. Rosalind Brown has a rare ability to record - with great humour, originality and near-hallucinogenic precision - the significance, or not, of each tumbling moment and thought -- Jennifer Higgie, author of The Mirror and the Palette
Rosalind Brown's impressive debut novel deliciously combines the elaborate formality of a Shakespeare sonnet with the fully realised embodiment of a less ambiguous age. And its preoccupations - love, desire, identity - are timeless -- Catherine Taylor, author of The Stirrings
Rosalind Brown's novel captures with singular precision the perverse and seductive nature of closely reading a work of literature: of sitting with a text, internalising it, living around it, so that the language becomes entangled with our daily routines, banalities and pleasures. Here, the seasonal rhythms of the campus novel are compressed stylishly into a single day. What emerges amid the brilliantly observed details of one woman's interior life is an allegory for reading as a means of inhabiting literature at the deepest level - while making a discrete literary achievement of its own -- Sam Buchan-Watts, author of Path Through Wood
A detailed and lyrical ode to one young woman's way of being, and to the little rituals that guide her. I found Practice to be both cautionary and rousing. A candid portrait of a day in a tightly controlled life -- Chloë Ashby, author of Second Self
Brown's description of the rival voices in Annabel's head during work - searching, sincere and sceptical by turns - is entrancing . . . Practice is a feat, a performance of attention, and it is often very funny TLS
Annabel's methodical approach to her work and life is brilliantly shattered by Brown's ability to throw a shocking line into proceedings, so that what begins quietly becomes a compelling insight into the recesses of the human mind Observer
If Practice is a novel about wrestling with discipline, it's equally about the generative opportunities of distraction and a meditation on the wellsprings of creativity . . . Brown treats us to some firecracker phrases . . . Brown's skill in turning words is evident Telegraph
Annabel aspires to "understand subtle, fragile things". This might be an apt description of Practice too . . . A touching portrait of an ordinary life and "what happens when repeatedly nothing happens" Spectator
Exerts a strange fascination . . . Practice is funny, intense and strangely gripping; after all, it's the non-events - stray thoughts and ignoble bodily needs among them - that form the texture of a life Financial Times
A quietly brave book, with a silhouetted protagonist whose unfilled blanks compel genuine intrigue Daily Mail
The minutiae of a day in the life of a mostly happy student are brilliantly conveyed in this wryly comic debut . . . Brown is a wonderful writer Guardian
An exceptional debut novel . . . A deft, observant, interior novel about reading . . . Practice is drily funny, and also bleakly incisive about the particular pressure experienced by some smart young women to strive for perfection . . . A small book about very big things - how we experience the world through language. The first essential novel of 2024 Readings.com
A book you can read in a day, and also the most convincing and compelling portrait of a single consciousness that I have come across in recent memory LitHub
Each sentence is a taut, considered work of art . . . Almost Virginia Woolf-like in its focus on the passing of time and somewhat reminiscent of the poetic prose of Eimear McBride, this novel announces a unique and exciting new talent in British fiction Booklist
Brown's gorgeously written debut is a hypnotic meditation on being attentive . . . Brown's attentiveness to the suppleness of language and the poetry of everyday life makes this slim novel absolutely transporting . . . A brilliant and keen work about being fully alive Kirkus
[A] sensuous and erudite debut . . . Brown's prose soars . . . Lovers of the written word will be impressed Publisher's Weekly
Alive with the spark of a fresh voice discovering itself, Brown's novel is written with astonishing grace and curiosity. This is a work to be compared with Marilynne Robinson's beautiful and boundless Housekeeping, and a writer to be watched with great expectations Kirkus, Starred Review

Rosalind Brown was born in 1987, grew up in Cambridge, and now lives in Norwich. Her work has been published in The Paris Review, Best British Short Stories 2017 (Salt), Lighthouse, Ambit, MAI: Feminism and Visual Culture and Propel Magazine.

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