Happy-Go-Lucky

The writing here is funnier, (even) sharper . . . There isn't a dull word among these pages (India Knight Sunday Times)

Could there be a more delightful American import than the memoirist David Sedaris? Not since the peanut butter and jelly sandwich have we inherited something so sweet and comforting yet so wickedly naughty (The Times)

This first of two volumes of his copious diaries takes us from 1977 to 2002, and sees him grow from a despondent 21-year-old in menial jobs into the man recognised as possibly the best humorist of the 2000s (Daily Telegraph, Best Books Under the Sun, Summer 2017)

So often Sedaris's phrasing is beautiful in its piquancy and minimalism...His life is extraordinary in so many ways - the drug addiction, the eccentric family, the crazy jobs, the fame, the globetrotting - but one of the more unlikely achievements here is in making it all seem quite ordinary. Ultimately, his masterstroke is in acting as a bystander in his own story (Book of the Day, Guardian)

He is the American Alan Bennett - or would be, if Bennett had a history of serious substance abuse and a higher tolerance for sick humour (Times Literary Supplement)

He makes me laugh so much. In an era when US satire is outpacing our own he's a sharp, humane and hilarious voice that never fails to make you smile - and sometimes weep. Apparently effortless humour is difficult, and precious. He's the real thing (James Naughtie Radio Times)

A deadpan, darkly comical portrait of the American underbelly . . . Sedaris shares something of [Alan] Bennett's detached curiosity, and they both have a thirst for amusement (Craig Brown Mail on Sunday)

It's like gossiping with an old friend - if that friend were a rather sexy American Alan Bennett with lots of good drug stories (Melissa Katsoulis The Times)

Cool, very funnv, sardonic, yet open . . . there is an echo of Truman Capote or Tennessee Williams - with extra quirk. Or even Lewis Carroll . . . one of the biggest comedy writers of his generation (Peter Bradshaw Spectator)

Just as in his essays and stories, the young Sedaris is both scandalising and scandalised, surprisingly profound, and very, very funny . . . Sedaris fans will not be surprised to know that he can do darkness and profundity as well as humour. Theft by Finding is full of all three, but what makes it so good is Sedaris's gift for sidling up them all from the least expected angle (Daily Telegraph)

It's hard to think of a better living practitioner of hilarious honesty than David Sedaris The Times
In this latest collection of anecdotes, the American humorist David Sedaris riffs on Covid, death and family . . . No longer elfin, Sedaris has matured into a devilish imp who scourges human folly and filth -- Peter Conrad Observer
Sedaris' signature wit has always thrived on the macabre, so perhaps it should come as no surprise that Happy-Go-Lucky is some of his darkest - and most astute - writing yet... No topic is out of bounds for Sedaris' acerbic humor and sharp observations Time
Sedaris is funny - invariably. That's his gift... Even amid the overwhelming gloom of the pandemic, a summer of unrest and the death of a father toward whom he still has complicated feelings, Sedaris never loses his wit or his crack timing Los Angeles Times
Sedaris is one of the writers whose discovery you wish on friends, because it means they have a wealth of brilliant writing to discover . . . David Sedaris still delivering his killer lines Irish Examiner
The writer's affable misanthropy and self-deprecation are on display in a new set of reflections on life and death -- Houman Barekat Guardian
Sedaris gazes unflinchingly [...] at his family, including himself, in a way that is laugh-out-loud funny yet somehow avoids being cruel -- Books of the Year TLS
There's a reason why David Sedaris has his own Radio 4 series and sells out Carnegie Hall in New York: as a performer of his own prose he's unmatched... The best way to enjoy Sedaris's waspish and funny essay collection is to hear it read by its author... [delivered] with impeccable comic timing -- Fiona Sturges Guardian

With sardonic wit and incisive social critiques, David Sedaris has become one of America's pre-eminent humor writers. The great skill with which he slices through cultural euphemisms and political correctness proves that Sedaris is a master of satire and one of the most observant writers addressing the human condition today.

David Sedaris is the author of eleven previous books, including, most recently, The Best of Me, Calypso, and Theft by Finding. He is a regular contributor to The New Yorker and BBC Radio 4. In 2019, he was inducted into the American Academy of Arts and Letters. He is the recipient of the Thurber Prize for American Humor, the Jonathan Swift International Literature Prize for Satire and Humor, and the Terry Southern Prize for Humor.

The latest installment from always funny, sometimes bizarre comic David Sedaris.

Praise for Theft By Finding

The writing here is funnier, (even) sharper . . . There isn't a dull word among these pages (India Knight Sunday Times)

Could there be a more delightful American import than the memoirist David Sedaris? Not since the peanut butter and jelly sandwich have we inherited something so sweet and comforting yet so wickedly naughty (The Times)

This first of two volumes of his copious diaries takes us from 1977 to 2002, and sees him grow from a despondent 21-year-old in menial jobs into the man recognised as possibly the best humorist of the 2000s (Daily Telegraph, Best Books Under the Sun, Summer 2017)

So often Sedaris's phrasing is beautiful in its piquancy and minimalism...His life is extraordinary in so many ways - the drug addiction, the eccentric family, the crazy jobs, the fame, the globetrotting - but one of the more unlikely achievements here is in making it all seem quite ordinary. Ultimately, his masterstroke is in acting as a bystander in his own story (Book of the Day, Guardian)

He is the American Alan Bennett - or would be, if Bennett had a history of serious substance abuse and a higher tolerance for sick humour (Times Literary Supplement)

He makes me laugh so much. In an era when US satire is outpacing our own he's a sharp, humane and hilarious voice that never fails to make you smile - and sometimes weep. Apparently effortless humour is difficult, and precious. He's the real thing (James Naughtie Radio Times)

A deadpan, darkly comical portrait of the American underbelly . . . Sedaris shares something of [Alan] Bennett's detached curiosity, and they both have a thirst for amusement (Craig Brown Mail on Sunday)

It's like gossiping with an old friend - if that friend were a rather sexy American Alan Bennett with lots of good drug stories (Melissa Katsoulis The Times)

Cool, very funnv, sardonic, yet open . . . there is an echo of Truman Capote or Tennessee Williams - with extra quirk. Or even Lewis Carroll . . . one of the biggest comedy writers of his generation (Peter Bradshaw Spectator)

Just as in his essays and stories, the young Sedaris is both scandalising and scandalised, surprisingly profound, and very, very funny . . . Sedaris fans will not be surprised to know that he can do darkness and profundity as well as humour. Theft by Finding is full of all three, but what makes it so good is Sedaris's gift for sidling up them all from the least expected angle (Daily Telegraph)

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