'Higgins...has arranged the conventions of the crime novel into something new: oblique, bleak and often graveyard funny' SUNDAY TIMES
When the tenants of Jerry Fein's dilapidated buildings refuse to pay the rent on account of the rats, Jerry drafts in arsonist Leo Proctor to take care of the problem. After all, the place is insured and the fire marshall's back is turned, so what could go wrong?
'Higgins...has arranged the conventions of the crime novel into something new: oblique, bleak and often graveyard funny' SUNDAY TIMES
When the tenants of Jerry Fein's dilapidated buildings refuse to pay the rent on account of the rats, Jerry drafts in arsonist Leo Proctor to take care of the problem. After all, the place is insured and the fire marshall's back is turned, so what could go wrong?
When the tenants of Jerry Fein's dilapidated buildings refuse to pay the rent on account of the rats, Jerry drafts in arsonist Leo Proctor to take care of the problem. After all, the place is insured and the fire marshall's back is turned, so what could go wrong?
“Aspiring writers of any genre, not just legal suspense, would be wise to read lots of George Higgins. - John GrishamHiggins can plot a whole book like one long chase scene. He can write dialogue so authentic it spits. - LifeThe Balzac of the Boston underworld... Higgins is almost uniquely blessed with a gift for voices, each of them... as distinctive as a fingerprint. - The New Yorker”
Aspiring writers of any genre, not just legal suspense, would be wise to read lots of George Higgins. - John Grisham
Higgins can plot a whole book like one long chase scene. He can write dialogue so authentic it spits. - LifeThe Balzac of the Boston underworld... Higgins is almost uniquely blessed with a gift for voices, each of them... as distinctive as a fingerprint. - The New YorkerGeorge V. Higgins was assistant DA in Boston before becoming a defense attorney and then a full-time writer. Described as 'the Balzac of Boston' and 'the poet of Boston sleaze' he wrote over thirty books, including a handful of lowlife masterpieces constructed almost entirely of pitch-perfect dialogue. He died in 1999.
When the tenants of Jerry Fein's dilapidated buildings refuse to pay the rent on account of the rats, Jerry drafts in arsonist Leo Proctor to take care of the problem. After all, the place is insured and the fire marshall's back is turned, so what could go wrong?
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