The Blazing World

LONGLISTED FOR THE BOOKER PRIZE

WINNER OF THE LOS ANGELES TIMES BOOK PRIZE FOR FICTION

'Dazzling' Sunday Times

'A truly wonderful intellectual work that makes you think and laugh' Daily Mail

'Playful, ebullient, brainy' Financial Times

The artist Harriet Burden, furious at the lack of attention paid her by the New York art world, conducts an experiment: she hides her identity behind three male fronts in a series of exhibitions. Their success seems to prove her point, but there's a sting in the tail - when she unmasks herself, not everyone believes her. Then her last collaborator meets a bizarre end.

In this mesmerising tour de force, Burden's story emerges after her death through a variety of sources, including her (not entirely reliable) journals and the testimonies of her children, lover and a dear friend. Each account is different, however, and the mysteries multiply.

'A novel that gloriously lives up to its title, one blazing with energy and thought' The Times

PRAISE FOR SIRI HUSTVEDT:

'Hustvedt is that rare artist, a writer of high intelligence, profound sensuality and a less easily definable capacity for which the only word I can find is wisdom' Salman Rushdie

'One of our finest novelists' Oliver Sacks

'Reading a Hustvedt novel is like consuming the best of David Lynch' Financial Times

'Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt' Washington Post

'A 21st-century Virginia Woolf' Literary Review

Runner-up for Kirkus Fiction Prize 2014 (UK)
Long-listed for Man Booker Prize 2014 (UK)

“I have told nearly everyone I love - and some random acquaintances - to stop whatever they are doing and read THE BLAZING WORLD. . . Hustvedt's novels have always been smart, accomplished, critically acclaimed but this one feels like a departure. There is more heat in it, more wildness; it seems to burst on to a whole other level of achievement and grace - Financial TimesHer prose is brilliant, furious, teeming with intelligence and life - an experiment in reception itself. - Literary Review...there is something special about this book; THE BLAZING WORLD is an intellectual puzzle from the moment you pluck it from the bookshelf. Intricate, sensory and challenging, the book does in fact blaze. - The Big Issue, AustraliaFans of Hustvedt's bestselling WHAT I LOVED will recognise both the themes (art, identity, gender) and the author's showy brilliance. - Jennifer Byrne for Australian Women's WeeklyThe rigorous and arresting BLAZING WORLD both demands and welcomes. While the novel gains richness in direct relation to its reader's fluency in art, literature, neuroscience and gender studies, Hustvedt's allegiance to the importance of the body alongside the mind causes it to throb with an array of love stories and uncanny mysteries. - The Saturday Age, MelbourneTHE BLAZING WORLD works best when Hustvedt gets the balance right and manages to shroud Burden in tantalising mystery rather than smother her in a fug of opacity. It is here that we can appreciate the novel as an intoxicating "anthology of voices'', an inventive portrait of the artist and a searing critique of the way we see and judge. - Weekend Australian”

I have told nearly everyone I love - and some random acquaintances - to stop whatever they are doing and read THE BLAZING WORLD. . . Hustvedt's novels have always been smart, accomplished, critically acclaimed but this one feels like a departure. There is more heat in it, more wildness; it seems to burst on to a whole other level of achievement and grace - Financial Times

Her prose is brilliant, furious, teeming with intelligence and life - an experiment in reception itself. - Literary Review

...there is something special about this book; THE BLAZING WORLD is an intellectual puzzle from the moment you pluck it from the bookshelf. Intricate, sensory and challenging, the book does in fact blaze. - The Big Issue, Australia

Fans of Hustvedt's bestselling WHAT I LOVED will recognise both the themes (art, identity, gender) and the author's showy brilliance. - Jennifer Byrne for Australian Women's Weekly

The rigorous and arresting BLAZING WORLD both demands and welcomes. While the novel gains richness in direct relation to its reader's fluency in art, literature, neuroscience and gender studies, Hustvedt's allegiance to the importance of the body alongside the mind causes it to throb with an array of love stories and uncanny mysteries. - The Saturday Age, Melbourne

THE BLAZING WORLD works best when Hustvedt gets the balance right and manages to shroud Burden in tantalising mystery rather than smother her in a fug of opacity. It is here that we can appreciate the novel as an intoxicating "anthology of voices'', an inventive portrait of the artist and a searing critique of the way we see and judge. - Weekend Australian

Siri Hustvedt is the author of seven novels including the international bestseller What I Loved, The Blazing World, which was longlisted for the Man Booker Prize and won the Los Angeles Times Book Prize for Fiction, and Memories of the Future, as well as five collections of essays: Yonder, Mysteries of the Rectangle: Essays on Painting, A Plea for Eros, Living, Thinking, Looking and A Woman Looking at Men Looking at Women. She has also published a poetry collection, Reading To You, and the memoir The Shaking Woman or A History of My Nerves.

Hustvedt has won the International Gabarron Prize for Thought and Humanities and the European Essay Prize for her essay The Delusions of Certainty. She is a Lecturer in Psychiatry at Weill Cornell Medical College and has written on art for the New York Times and the Daily Telegraph. Born in Minnesota, Siri Hustvedt lives in Brooklyn, New York.

The artist Harriet Burden, furious at the lack of attention paid her by the New York art world, conducts an experiment: she hides her identity behind three male fronts in a series of exhibitions. Their success seems to prove her point, but there's a sting in the tail - when she unmasks herself, not everyone believes her. Then her last collaborator meets a bizarre end. In this mesmerising tour de force, Burden's story emerges after her death through a variety of sources, including her (not entirely reliable) journals and the testimonies of her children, lover and a dear friend. Each account is different, however, and the mysteries multiply.

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