Honeydew

Over the last few decades, Edith Pearlman has staked her claim as one of the great short-story writers.

The stories in Honeydew are unmistakably by Pearlman; whole lives in ten pages. They are minutely observant of people, of their foibles and failings, but also of their moments of kindness and truth. Whether the characters are Somalian women who've suffered circumcision, a special child with pentachromatic vision or a staid professor of Latin unsettled by a random invitation to lecture on the mystery of life and death, Pearlman knows each of them intimately and reveals them with generosity.

Short-listed for Sunday Times EFG Private Bank Short Story Award 2011 2016 (UK)

“Edith Pearlman's astonishing stories have won numerous awards in America and prompted accolades here, comparing her to Chekhov, Munro and Updike. Such comparisons are not helpful, for her voice is unique; however, her literary status is indeed of the highest order, as this, her fifth collection, most joyfully demonstrates - Literary Review Prepare to be dazzled. Edith Pearlman's latest, elating work confirms her place as one of the great modern short-story writers . . .Vivacity and zest enliven every page. Body language is wittily caught . . . Personalities are keenly explored. Honeydew elatingly continues the celebration of life's diversity to which Binocular Vision so excitingly introduced us - Sunday Times Depicting her deceptively artless way of writing that places you right by the side of her characters without you knowing how you got there . . . beautifully displays Pearlman's knack for summoning entire lives in a few simple strokes - Metro [Edith Pearlman's] elegant new collection of shrewdly observed stories dealing with love, friendship, ageing and much moredelivers in every way - Woman & Home Honeydew is [Edith Pearlman's] best collection yet - Boston Globe Honeydew seems likely tosolidify [Pearlman's] place in the literary firmament - New York Times One of the most essential short story visionaries of our time - New York Times Book Review Smart and deeply rendered, full of striking observations andsome of the best sentences you'll ever want to read - Los Angeles Times”

Edith Pearlman's astonishing stories have won numerous awards in America and prompted accolades here, comparing her to Chekhov, Munro and Updike. Such comparisons are not helpful, for her voice is unique; however, her literary status is indeed of the highest order, as this, her fifth collection, most joyfully demonstrates - Literary Review

Prepare to be dazzled. Edith Pearlman's latest, elating work confirms her place as one of the great modern short-story writers . . . Vivacity and zest enliven every page. Body language is wittily caught . . . Personalities are keenly explored. Honeydew elatingly continues the celebration of life's diversity to which Binocular Vision so excitingly introduced us - Sunday Times

Depicting her deceptively artless way of writing that places you right by the side of her characters without you knowing how you got there . . . beautifully displays Pearlman's knack for summoning entire lives in a few simple strokes - Metro

[Edith Pearlman's] elegant new collection of shrewdly observed stories dealing with love, friendship, ageing and much more delivers in every way - Woman & Home

Honeydew is [Edith Pearlman's] best collection yet - Boston Globe

Honeydew seems likely to solidify [Pearlman's] place in the literary firmament - New York Times

One of the most essential short story visionaries of our time - New York Times Book Review

Smart and deeply rendered, full of striking observations and some of the best sentences you'll ever want to read - Los Angeles Times

Edith Pearlman's previous collection, Binocular Vision, won the National Book Critics Circle Award and was a finalist for the National Book Award as well as the Los Angeles Times Book Prize and the Story Prize. The author of three other collections, she has also received the PEN/Malamud Award for excellence in the short story. Her widely admired stories have been reprinted numerous times in The Best American Short Stories, The O. Henry Prize Stories and The Pushcart Prize. A New Englander by both birth and preference, Pearlman lives with her husband in Brookline, Massachusetts.

Over the last few decades, Edith Pearlman has staked her claim as one of the great short-story writers.The stories in Honeydew are unmistakably by Pearlman; whole lives in ten pages. They are minutely observant of people, of their foibles and failings, but also of their moments of kindness and truth. Whether the characters are Somalian women who've suffered circumcision, a special child with pentachromatic vision or a staid professor of Latin unsettled by a random invitation to lecture on the mystery of life and death, Pearlman knows each of them intimately and reveals them with generosity.

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