A Cruel Necessity

The first John Grey historical mystery

The theatres are padlocked.

Christmas has been cancelled.

It is 1657 and the unloved English Republic is eight years old. Though Cromwell's joyless grip on power appears immovable, many still look to Charles Stuart's dissolute and threadbare court-in-exile, and some are prepared to risk their lives plotting a restoration.

For the officers of the Republic, constant vigilance is needed. So, when the bloody corpse of a Royalist spy is discovered on the dung heap of a small Essex village, why is the local magistrate so reluctant to investigate? John Grey, a young lawyer with no clients, finds himself alone in believing that the murdered man deserves justice. Grey is drawn into a vortex of plot and counter-plot and into the all-encompassing web of intrigue spun by Cromwell's own spy-master, John Thurloe.

So when nothing is what is seems, can Grey trust anyone?

'Tyler juggles his characters, story wit and clever one liners with perfect balance' - The Times

'A cracking pace, lively dialogue, wickedly witty one-liners salted with sophistication . . . Why would we not want more of John Grey?' - The Bookbag

“Tyler juggles his characters, story wit and clever one liners with perfect balance.-- The Times”

Tyler juggles his characters, story wit and clever one liners with perfect balance. - The Times

L. C. Tyler was born in Essex and educated at Jesus College Oxford and City University. His comic crime series featuring author-and-agent duo Ethelred Tressider and Elsie Thirkettle has twice been nominated for Edgar Allan Poe Awards and he won the Goldsboro Last Laugh Award with Herring in the Library. His latest crime series is set in the seventeenth century and features lawyer John Grey.

He has lived and worked all over the world, but has more recently been based in London and Sussex.

To find out more about L. C. Tyler or follow him on twitter @lenctyler.

The theatres are padlocked. Christmas has been cancelled. It is 1657 and the unloved English Republic is eight years old. Though Cromwell's joyless grip on power appears immovable, many still look to Charles Stuart's dissolute and threadbare court-in-exile, and some are prepared to risk their lives plotting a restoration. For the officers of the Republic, constant vigilance is needed. So, when the bloody corpse of a Royalist spy is discovered on the dung heap of a small Essex village, why is the local magistrate so reluctant to investigate? John Grey, a young lawyer with no clients, finds himself alone in believing that the murdered man deserves justice. Grey is drawn into a vortex of plot and counter-plot and into the all-encompassing web of intrigue spun by Cromwell's own spy-master, John Thurloe. But when nothing is what is seems, can Grey trust anyone? Praise for L. C. Tyler 'Tyler juggles his characters, story wit and clever one liners with perfect balance' The Times 'Witty and amazing, L. C. Tyler has a wicked sense of humour' M. C. Beaton

The first John Grey historical mystery The theatres are padlocked. Christmas has been cancelled. It is 1657 and the unloved English Republic is eight years old. Though Cromwell's joyless grip on power appears immovable, many still look to Charles Stuart's dissolute and threadbare court-in-exile, and some are prepared to risk their lives plotting a restoration. For the officers of the Republic, constant vigilance is needed. So, when the bloody corpse of a Royalist spy is discovered on the dung heap of a small Essex village, why is the local magistrate so reluctant to investigate? John Grey, a young lawyer with no clients, finds himself alone in believing that the murdered man deserves justice. Grey is drawn into a vortex of plot and counter-plot and into the all-encompassing web of intrigue spun by Cromwell's own spy-master, John Thurloe. So when nothing is what is seems, can Grey trust anyone?'Tyler juggles his characters, story wit and clever one liners with perfect balance' - The Times 'A cracking pace, lively dialogue, wickedly witty one-liners salted with sophistication . . . Why would we not want more of John Grey?' - The Bookbag

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