A Tomb With a View – The Stories & Glories of Graveyards

WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021

“Peter Ross' new book is quite literally, as Scots like to say, pure dead brilliant”

Absorbing . . . considered and moving. Hilary Mantel
Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable. The Observer
The pages burst with life and anecdote while also examining our relationship with remembrance. Financial Times
Among the year's most surprising "sleeper" successes is A Tomb with a View, Peter Ross's critically acclaimed ode to "the stories and glories of graveyards". In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness. The Sunday Times
Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country. Andrew O'Hagan
I have nothing but admiration for his way to winkle out a story from the living as well as paying homage to the dead. The Scotsman
Ross has written [a] lively elegy to Britain's best burial grounds. Evening Standard
A brilliant buy Stylist
A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told. Denise Mina
Beautifully written and strangely life affirming. Norman Blake, Teenage Fanclub
A walk through the graveyards of Britain guided by one of the most engaging wordsmiths willing to take you by the hand. The Big Issue
It is not too fanciful to talk of the soul of A Tomb With A View. It is replete with stories but it echoes with something profound. The Herald
Scottish journalist Ross's meander around graveyards raises profound questions about the way in which we mourn I News - Christmas Gift Guide 2020
Peter Ross makes a fine contribution to the library of books about "being planted". . . I have nothing but admiration for his way to winkle out a story from the living as well as paying homage to the dead The Scotsman’s Scottish Books of the Year
Everyday humanity, an acknowledgement of how life continues in the presence of the dead. . . is writ large in A Tomb with a View, in Ross's encounters with tour guides, local historians, a gardener, a stonecutter, even a recent widow. Prospect
Ross's book is an engaging ramble among the gravestones and burial plots of Britain and Ireland Irish Examiner
I'm a card-carrying admirer of Peter Ross. Robert Macfarlane
His stories are always a joy. Ian Rankin
An evocative and uplifting exploration of cemeteries, where every headstone has a story to tell. . . Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book. The Guardian Book of The Day
Ross' development into a sensitive and empathetic observer of social ritual has culminated in this treasure The Big Issue
A phenomenal, lyrical, beautiful book Frank Turner
A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told. Denise Mina
[a] celebration of life and of love. It confronts our universal fate but tends towards a comforting embrace of mortality. It is also imbued with something deeply moving. The Herald

Peter Ross is an Orwell journalism fellow. His writing has appeared in national newspapers and magazines in the UK and US. His won the non-fiction prize at Scotland's National Book Awards with A Tomb With A View: The Stories & Glories of Graveyards, and his most recent book, Steeple Chasing, was a Sunday Times bestseller and was selected as Waterstones Non-Fiction Book of the Month. He is also author of the collections Daunderlust and The Passion Of Harry Bingo. He lives in Glasgow.

WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021 A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR 'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020) ' Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' - The Sunday Times 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (Best New Books of Autumn 2020) 'One of the non-fiction books of the year.' - The i paper (2020 Best Books for Christmas) 'Brilliant.' - Stylist (Best Christmas books for Christmas 2020) 'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan 'His stories are always a joy.' - Ian Rankin 'I'm a card-carrying admirer of Peter Ross.' - Robert Macfarlane 'A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told.' - Denise Mina 'A phenomenal, lyrical, beautiful book.' - Frank Turner 'A walk through the graveyards of Britain guided by one of the most engaging wordsmiths willing to take you by the hand.' - The Big Issue (Best Books 2020) 'A celebration of life and of love. It confronts our universal fate but tends towards a comforting embrace of mortality. It is also imbued with something deeply moving.' - The Herald 'Beau

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