Patricia Highsmith: Her Diaries and Notebooks

'It promises to be one of the literary highlights of 2021 - publication of the diaries of Patricia Highsmith, one of the most conflicted, fascinating novelists of the 20th century' Edward Helmore, Guardian

'My secrets-the secrets that everyone has-are here, in black and white.'

Published for the very first time for the centenary of her birth, Patricia Highsmith's diaries and notebooks offer an unparalleled, unforgettable insight into the life and mind of one of the 20th century's most talented, complex and fascinating writers.

Posthumously discovered in Highsmith's linen cupboard and edited down from 56 thick spiral notebooks by her devoted editor, Anna Von Planta, this one-volume assemblage of her diaries and notebooks traces Highsmith's mesmerising double life.

The diaries show Highsmith's unwavering literary ambitions - coming often at huge personal sacrifice. We see her writing the books that would make her name, including the Ripley novels which mark the apotheosis of the psychological thriller, and The Price of Salt (later adapted into the 2015 film Carol), one of the first mainstream novels to depict two women in love.

In these pages, we see Highsmith reflecting on good and evil, loneliness and intimacy, sexuality and sacrifice, love and murder. We see her tumultuous romantic relationships play out alongside her acquaintances with other writers including Jane Bowles, Aaron Copland, John Gielgud, Truman Capote, Carson McCullers, Arthur Koestler, and W. H. Auden. And in her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, we see the famously secretive Highsmith revealing the roots of her psychological angst and acuity.

Written in her inimitable and dazzling prose and offering all the pleasures of Highsmith's novels, these are one of the most compulsively readable literary diaries to publish in generations - and yield, at last an unparalleled, unfiltered, unforgettable picture of this enigmatic, iconic, trailblazing author's true self.

The whole book is excellent. Highsmith is pointed and dry about herself and everything else. But the early chapters are special. They comprise one of the most observant and ecstatic accounts I've read - and it's a crowded field! - about being young and alive in New York City New York Times
Offers the most complete picture ever published of how Highsmith saw herself New York Times
One of the finest writers in the English language -- Richard Osman
One of the literary highlights of 2021 Guardian
I don't think I've ever met a person as troubling or intelligent, frustrating and frustrated, and triumphantly alone. A master diarist as much as novelist. Highsmith's Her Diaries and Notebooks are a portrait of a time, a long passage from the forties to the nineties, and you've never travelled on this perspective before -- Eileen Myles
Highsmith's astonishing candour in the witness stand of her personal notebooks, and heartbreaking self-exposures in the jury box of her diaries, are like nothing else in American confessional literature -- Joan Schenkar
I love Highsmith so much. What a revelation her writing was -- Gillian Flynn
Few writers fathomed with such intensity the dark places of the human mind Evening Standard
There is no one quite like Highsmith -- Anita Brookner
Highsmith was every bit as deviant and quirky as her mischievous heroes, and didn't seem to mind if everyone knew it -- J. G. Ballard
Opens a window onto this extraordinary writer's inner life and working methods . . . a welcome addition to the work of a most eccentric genius Evening Standard
The quippiness of the journals is a delight, few can sum up the creative life this deliciously Observer
Provides stunning access to the mind of a notoriously secretive author Vanity Fair
[Her Diaries and Notebooks] testify to the recalcitrant, unrelenting spirit of this great American curmudgeon and gifted crime writer Focus
A quarter century after the death of novelist Highsmith (1921-1995), fans are given a fascinating and unprecedented look into the 'playground for her imagination' . . . Devotees and historians alike will linger over every morsel Publishers Weekly
Disclosures from a meticulously documented life. . . An admirably edited volume for scholars and voracious fans Kirkus Reviews
A vivid portrait of a driven, impassioned, brutal and remarkably singular person, with a vast appetite for women, alcohol and - above all - her work New Statesman
Here comes Patricia Highsmith at last, striding out of the closet, in her own words . . . A frank, and frankly disturbing, portrait of a writer who concealed the personal sources of her work for her entire life Literary Review
As well as the late-night parties, alcohol and short-lived love affairs, we see a serious writer at work, determined to resist being pigeonholed Spectator
Patricia Highsmith's diaries are something to behold, She is deliciously eccentric and droll, her romances always threaded with bitterness and lust -- Eva Wiseman Observer
These secret diaries take us inside Patricia Highsmith's brilliant yet twisted mind . . . Here then, laid out for us, is the private life Highsmith transmuted into fiction, into those great novels in which innocence and guilt, good and evil meld into one another so alarmingly Sunday Times
An unguarded portrait of a young woman taking the first tentative steps into the worlds of sex and literary endeavour . . . a capacious portrait of a complex author and a compelling coming-of-age story Prospect Magazine
Offers insights into the thriller writer's many passions and creative intellect Financial Times
Keep them beside the bed, dip into them each night. And read them you must. Magnificent The Times
Highsmith likens herself to "a steel needle", and her insights puncture complacency as if piercing flesh. She is the murderer, and we are all the victims Guardian

Highsmith grew up in New York City and studied English composition, playwriting and short story prose at Barnard College. Her first novel STRANGERS ON A TRAIN was published in 1950, and Alfred Hitchcock's film adaptation of the book the following year considerably enhanced Highsmith's reputation. In 1952, she published her second novel THE PRICE OF SALT under the nom de plume Claire Morgan. It became a bestseller and was later reissued as CAROL (1990) under Highsmith's own name. In 1955, she published THE TALENTED MR RIPLEY which gained huge popularity and earned Highsmith Le Grand Prix de Litterature Policiere in 1957. During her long career, Highsmith wrote twenty-two novels and nine short story collections. There have been dozens of film and television adaptations based on her work, and she remains one of the best-loved writers of psychological suspense.

'It promises to be one of the literary highlights of 2021 - publication of the diaries of Patricia Highsmith, one of the most conflicted, fascinating novelists of the 20th century' Edward Helmore, Guardian 'My secrets-the secrets that everyone has-are here, in black and white.' Published for the very first time for the centenary of her birth, Patricia Highsmith's diaries and notebooks offer an unparalleled, unforgettable insight into the life and mind of one of the 20th century's most talented, complex and fascinating writers.Posthumously discovered in Highsmith's linen cupboard and edited down from 56 thick spiral notebooks by her devoted editor, Anna Von Planta, this one-volume assemblage of her diaries and notebooks traces Highsmith's mesmerising double life.The diaries show Highsmith's unwavering literary ambitions - coming often at huge personal sacrifice. We see her writing the books that would make her name, including the Ripley novels which mark the apotheosis of the psychological thriller, and The Price of Salt (later adapted into the 2015 film Carol ), one of the first mainstream novels to depict two women in love.In these pages, we see Highsmith reflecting on good and evil, loneliness and intimacy, sexuality and sacrifice, love and murder. We see her tumultuous romantic relationships play out alongside her acquaintances with other writers including Jane Bowles, Aaron Copland, John Gielgud, Truman Capote, Carson McCullers, Arthur Koestler, and W. H. Auden. And in her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, we see the famously secretive Highsmith revealing the roots of her psychological angst and acuity.Written in her inimitable and dazzling prose and offering all the pleasures of Highsmith's novels, these are one of the most compulsively readable literary diaries to publish in generations - and yield, at last an unparalleled, unfiltered, unforgettable picture of this enigmatic, iconic, trailblazing author's true self.

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