A haunting debut novel of a young woman living on the edge in a Cornwall the tourists never see, struggling with the aftermath of family tragedy.
A haunting debut novel of a young woman living on the edge in a Cornwall the tourists never see, struggling with the aftermath of family tragedy.
A haunting debut novel of a young woman living on the edge in a Cornwall the tourists never see, struggling with the aftermath of family tragedy.
A haunting debut novel of a young woman living on the edge in a Cornwall the tourists never see, struggling with the aftermath of family tragedy.
'This unsparing debut novel portrays the unromantic side of Cornwall few visitors see and which so many novelists choose to overlook. Charlie Carroll inhabits his damaged heroine completely' Patrick Gale
'A moving and affecting novel about life on the edge, with a very special flavour of wild and rugged Cornwall.' Emma Stonex, author of THE LAMPLIGHTERSAway from the hotels and holiday lets, there is an unseen side of Cornwall, where the shifting uncertainties of the future breed resentment and mistrust. Melody Janie is hidden. She lives alone in a caravan in Bones Break: a small cliff-top on Cornwall's north coast. She spends her time roaming her territory, spying on passing tourists and ramblers, and remembering. She sees everything and yet remains unseen. However, when a stranger enters her life, she is forced to confront not only him but the terrible tragedies of her past. The Lip is a novel about childhood, isolation and mental health, told in the unique and unforgettable voice of Melody Janie. 'All of this is Bones Break. All of this is mine. I know every inch of it; I know it as intimately as the seagulls. I stand at dead-centre, my feet teetering on the edge of the lip. Below, the thundering tattoo of waves on rock. Wind catches the tips of my hair, lifting them above my ribs: less force than it takes to knock me down; enough to make me right myself with a step to the left, and then another back again. Here on the lip, it is vital to know where my feet are.'“This unsparing debut novel portrays the unromantic side of Cornwall few visitors see and which so many novelists choose to overlook. Charlie Carroll inhabits his damaged heroine so completely, and with so little trace of first-novel-ego that I can't wait to see what he writes next ; I suspect his publishers have backed a winner.”
This unsparing debut novel portrays the unromantic side of Cornwall few visitors see and which so many novelists choose to overlook. Charlie Carroll inhabits his damaged heroine so completely, and with so little trace of first-novel-ego that I can't wait to see what he writes next; I suspect his publishers have backed a winner. Patrick Gale
Atmospheric, haunting writing, a heroine you instantly love. Ilona Bannister, author of When I Ran Away
Viscerally described... I'm still thinking about it. The Daily Mail
[Melody Janie's] life weaves intimately close to this place, vesting a lyrical magic over these weather-beaten landscapes. The Telegraph
A novel as much about isolation as it is grief, mental health and enforced change, it builds to a moving conclusion with a mighty twist. With The Lip now added to his repertoire, Carroll is proving to be very much like a modern-day Orwell, with social awareness and humanity at the core of what he writes. Buzz Magazine
A moving and affecting novel about life on the edge, with a very special flavour of wild and rugged Cornwall. Emma Stonex, author of The Lamplighters
Beautiful. . . the last time I read a book that affected me as much as this one it was The Loney.
The BookbagBeautifully complex, heartbreaking and atmospheric. I was completely immersed in Melody Janie's world and really 'got' the possessive charge of her land and the past that she was trying so desperately to save. Fabulous read.
LV Matthews, author of The PrankRedeeming and beautiful and full of brave characters and heart. . . I bloody loved it. The story grew roots that went far deeper than I expected. I found myself racing to the climax and it was executed perfectly. A triumph.'
Ericka Waller, author of Dog DaysCharlie Carroll grew up in a small Cornish village. He left to study English and Philosophy at the University of Nottingham and, despite going on to live and travel in various countries around the world, always found himself returning to Cornwall. His debut novel, The Lip (2021), focuses on his homeland and was shortlisted for the Writers' Guild Best First Novel Award. His previous books include his non-fiction Travel Trilogy: The Friendship Highway (2014), No Fixed Abode (2013) and On the Edge (2010).
He has twice won the K Blundell Trust Award for 'writers under 40 who aim to raise social awareness with their writing', has written for the likes of the Guardian and the Big Issue, has appeared on BBC Radio 4 and been featured in the Telegraph and National Geographic.He lives and works in Cornwall.'This unsparing debut novel portrays the unromantic side of Cornwall few visitors see and which so many novelists choose to overlook. Charlie Carroll inhabits his damaged heroine completely' Patrick Gale 'A moving and affecting novel about life on the edge, with a very special flavour of wild and rugged Cornwall.' Emma Stonex, author of THE LAMPLIGHTERS Away from the hotels and holiday lets, there is an unseen side of Cornwall, where the shifting uncertainties of the future breed resentment and mistrust. Melody Janie is hidden. She lives alone in a caravan in Bones Break: a small cliff-top on Cornwall's north coast. She spends her time roaming her territory, spying on passing tourists and ramblers, and remembering. She sees everything and yet remains unseen. However, when a stranger enters her life, she is forced to confront not only him but the terrible tragedies of her past. The Lip is a novel about childhood, isolation and mental health, told in the unique and unforgettable voice of Melody Janie. 'All of this is Bones Break. All of this is mine. I know every inch of it; I know it as intimately as the seagulls. I stand at dead-centre, my feet teetering on the edge of the lip. Below, the thundering tattoo of waves on rock. Wind catches the tips of my hair, lifting them above my ribs: less force than it takes to knock me down; enough to make me right myself with a step to the left, and then another back again. Here on the lip, it is vital to know where my feet are.'
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