Boom

Before Damien Hirst stuffed a shark, before Basquiat picked up a spray can, before Andy Warhol started The Factory, a pile of unwanted Jackson Pollocks changed everything. From them emerged the first major modern art dealer. It was 1947, and the art world would never be the same.

From the early days on 57th Street, to the rise of SoHo in the 60s, to the emergence of Chelsea as the hotbed of art galleries, we see the meteoric rise and the devastating falls of the most renowned dealers: Larry Gagosian, David Zwirner, Arne Glimcher, and Iwan Wirth. With unparalleled access, the longtime Vanity Fairreporter tells us the story of contemporary art through the people who coddled, supported, and funded the likes of Jeff Koons, and Cy Twombly.

It's a story of backstabbing, betrayals, fruitful partnerships, genius, and ever larger sums of money. The world of contemporary art is inextricable from the wild wealth and naked financial opportunism that surrounds it.

“"The narrative is packed with scrumptious anecdotes and revealing portraits of key players and artists... In this rich, superbly nuanced history, Shnayerson fully demonstrates that he has his finger on the financial pulse of modern art."-- Kirkus, Starred Review”

"Boom reflects better than anything I have read the characters, the motives, and the overall vibe of the contemporary art world."--Daniel Weiss, President and CEO of the Metropolitan Museum of Art
"Focusing on personalities as much as business development, Shnayerson's writing is conversational and accessible, even for those without deep art knowledge. Fast-paced and eye-opening, this is a wildly entertaining business history."--Publishers Weekly
"How did the art world-the rarefied, decorous realm of a few hundred in the 1960s-become the art market? Michael Shnayerson penetrates the mysterious conclave of taste, style and money in this sparkling, high-octane account. It's all here and beautifully bound together, from Lucien Freud's gambling debts to the AIDS epidemic to private museums to the magical question of whether the artist makes the dealer or the dealer the artist."--Stacy Schiff, author of Cleopatra: ALife and The Witches: Salem, 1692
"In Boom, Michael Shnayerson masterfully traces the blaze-like contemporary art market back to what now seem like unassuming origins. He tells how, somewhere along the way, dealers persuaded the rest of the art world that what they were looking at was not as important as why they were looking at it. And the why, as it turns out, was money."--Graydon Carter, former editor of Vanity Fair and founder of Air Mail newsletter
"Part Painted Bird, part Off the Wall, and part Duveen, Michael Shnayerson's Boom deftly captures the extraordinary dynamics at work in the contemporary art market by focusing on the global mega dealers and their constantly evolving stable of artists, many of whom together have become fabulously rich beyond their wildest dreams. In Shnayerson's confident hands, the story of their successes is riveting, informative, and often hard to fathom."--William Cohan, author of House ofCards: A Tale of Hubris and Wretched Excess on Wall Street
"The book is a pleasure to read, lively, smart, and wonderfully informative, full of the big personalities, genius, passion, and skullduggery of the contemporary art world."--Roxana Robinson authorof Georgia O'Keeffe: A Life
"The high end of the contemporary art market is driven by branding, backstories, mega dealers, art fairs, art investment funds, and occasionally, a hugely talented artist. Most important, it is driven by people. Michael Shnayerson has done the best job I know in pulling all these together. Think of the book as a 400-page Vanity Fair article (where he is a longtime contributing editor). I offer that comparison as a compliment to its style and depth of detail.

He has captured profiles of the mega-dealers: Gagosian, Zwirner, Wirth, and the Glimchers; the billionaire collectors; and the lawsuits, with background and astute observations. My own books on the contemporary art market would have been much improved this had come earlier. A great read."--Don Thompson is the author of The $12Million Stuffed Shark: The Curious Economics of Contemporary Art, and TheOrange Balloon Dog: Bubbles, Turmoil and Avarice in the Contemporary Art Market

"The narrative is packed with scrumptious anecdotes and revealing portraits of key players and artists... In this rich, superbly nuanced history, Shnayerson fully demonstrates that he has his finger on the financial pulse of modern art."--Kirkus, Starred Review

Michael Shnayerson became a contributing editor at Vanity Fair in 1986 and has since written more than 75 stories for the magazine. Shnayerson is the author of The Car That Could: The Inside Story of GM's Revolutionary Electric Vehicle (Random House, 1996), which was named one of the best business books of 1996 by BusinessWeek; and he is the co-author, with Mark J. Plotkin, of The Killers Within: The Deadly Rise of Drug-Resistant Bacteria (Little, Brown, 2002). He lives in Bridgehampton, New York.

Before Damien Hirst stuffed a shark, before Basquiat picked up a spray can, before Andy Warhol started The Factory, a pile of unwanted Jackson Pollocks changed everything. From them emerged the first major modern art dealer. It was 1947, and the art world would never be the same. From the early days on 57th Street, to the rise of SoHo in the 60s, to the emergence of Chelsea as the hotbed of art galleries, we see the meteoric rise and the devastating falls of the most renowned dealers: Larry Gagosian, David Zwirner, Arne Glimcher, and Iwan Wirth. With unparalleled access, the longtime Vanity Fair reporter tells us the story of contemporary art through the people who coddled, supported, and funded the likes of Jeff Koons, and Cy Twombly.It's a story of backstabbing, betrayals, fruitful partnerships, genius, and ever larger sums of money. The world of contemporary art is inextricable from the wild wealth and naked financial opportunism that surrounds it.

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