A startlingly original sensory memoir from the prize-winning author and director
A startlingly original sensory memoir from the prize-winning author and director
From the sizzling sharpness of freshly cut garlic to the cool tang of a father's aftershave; the heady intoxication of a fumbled first kiss to the anodyne void of disinfectant and death, this is a decadently original olfactory memoir.
In sixty-three elusive episodes we roam freely across the countryside of Lorraine, North-East France, from kitchen to farm to a lover's bed. Recognising the bittersweet nostalgia of a scent that slips away on the summer breeze, Claudel demonstrates again his impeccable grasp of the personal and the universal, interweaved with a rare, self-deprecating charm.This is an evocative patchwork at once earthy and ethereal, erotic and heart-breaking. Claudel permits us a glimpse of moments that have driven him to delight or despair, creating through the fading aromas of the past fragments of humour, insight and quite intangible beauty.Philippe Claudel is a university lecturer, novelist and scriptwriter. He has written 14 novels that have been translated into various languages. He was born in Dombasle-sur-Meurthe in 1962 where he still lives. Claudel says that he woke up one morning with the opening sentence of Brodeck's Report in his head: My name is Brodeck and I am not responsible.
John Cullen is the translator of more than 15 books from French, Spanish, Italian and German. He has twice been shortlisted for the IMPAC award, and was also shortlisted for the Duncan Lawrie International Dagger in 2007.From the sizzling sharpness of freshly cut garlic to the cool tang of a father's aftershave; the heady intoxication of a fumbled first kiss to the anodyne void of disinfectant and death, this is a decadently original olfactory memoir.In sixty-three elusive episodes we roam freely across the countryside of Lorraine, North-East France, from kitchen to farm to a lover's bed. Recognising the bittersweet nostalgia of a scent that slips away on the summer breeze, Claudel demonstrates again his impeccable grasp of the personal and the universal, interweaved with a rare, self-deprecating charm.This is an evocative patchwork at once earthy and ethereal, erotic and heart-breaking. Claudel permits us a glimpse of moments that have driven him to delight or despair, creating through the fading aromas of the past fragments of humour, insight and quite intangible beauty.
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