Prefecture D

A collection of four novellas: each taking place in 1998, each set in the world of SIX FOUR, and each centring around a mystery and the unfortunate officer tasked with solving it.

SEASON OF SHADOWS

"The force could lose face . . . I want you to fix this." Personnel's Futawatari receives a horrifying memo forcing him to investigate the behaviour of a legendary detective with unfinished business.

CRY OF THE EARTH

"It's too easy to kill a man with a rumour." Shinto of Internal Affairs receives an anonymous tipoff alleging a Station Chief is visiting the red-light district - a warning he soon learns is a red herring.

BLACK LINES

"It was supposed to be her special day." Section Chief Nanao, responsible for the force's 49 female officers, is alarmed to learn her star pupil has not reported for duty, and is believed to be missing.

BRIEFCASE

"We need to know what he's going to ask." On the eve of a routine debate, Political Liaison Tsuge learns a wronged politician is preparing his revenge. He must now quickly dig up dirt to silence him.

PREFECTURE D continues Hideo Yokoyama's exploration of the themes of obsession, saving face, office politics and inter-departmental conflicts. Placing everyday characters between a rock and a hard place and then dialling up the pressure, he blends and balances the very Japanese with the very accessible, to spectacular effect.

“He's a master. - New York Times Book ReviewVery different . . . to almost anything out there. - ObserverYokoyama possesses that elusive trait of a first-rate novelist: the ability to grab readers' interest and never let go. - Washington PostAn education about Japan.Addictive. - The Times”

He's a master. - New York Times Book Review

Very different . . . to almost anything out there. - Observer

Yokoyama possesses that elusive trait of a first-rate novelist: the ability to grab readers' interest and never let go. - Washington Post

An education about Japan.

Addictive. - The Times

Hideo Yokoyama (Author)

Born in 1957, Hideo Yokoyama worked for twelve years as an investigative reporter with a regional newspaper north of Tokyo, before becoming one of Japan's most acclaimed fiction writers. His exhaustive and relentless work ethic is known to mirror the intense and obsessive behaviour of his characters; and in January 2003 he was hospitalized following a heart attack brought about by working constantly for seventy-two hours.

Jonathan Lloyd-Davies (Translator)

Jonathan Lloyd-Davies studied Japanese at Durham and Chinese at Oxford; he currently works as a translator of Japanese fiction. His translations include Edge by Koji Suzuki, with co-translator Camellia Nieh, the Demon Hunters trilogy by Baku Yumemakura, Gray Men by Tomotake Ishikawa, and Nan-Core by Mahokaru Numata. His translation of Edge received the Shirley Jackson award for best novel. Originally from Wales, he now resides in Tokyo.

A collection of four novellas: each taking place in 1998, each set in the world of SIX FOUR , and each centring around a mystery and the unfortunate officer tasked with solving it. SEASON OF SHADOWS "The force could lose face . . . I want you to fix this." Personnel's Futawatari receives a horrifying memo forcing him to investigate the behaviour of a legendary detective with unfinished business. CRY OF THE EARTH "It's too easy to kill a man with a rumour." Shinto of Internal Affairs receives an anonymous tipoff alleging a Station Chief is visiting the red-light district - a warning he soon learns is a red herring. BLACK LINES "It was supposed to be her special day." Section Chief Nanao, responsible for the force's 49 female officers, is alarmed to learn her star pupil has not reported for duty, and is believed to be missing. BRIEFCASE "We need to know what he's going to ask." On the eve of a routine debate, Political Liaison Tsuge learns a wronged politician is preparing his revenge. He must now quickly dig up dirt to silence him. PREFECTURE D continues Hideo Yokoyama's exploration of the themes of obsession, saving face, office politics and inter-departmental conflicts. Placing everyday characters between a rock and a hard place and then dialling up the pressure, he blends and balances the very Japanese with the very accessible, to spectacular effect.

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