The Man on the Street

'Fresh, original, authentic and gritty - should be an instant classic' LEE CHILD

NO ONE SEES HIM. BUT HE SEES EVERYTHING.

It started with a splash. Jimmy, a homeless veteran grappling with PTSD, did his best to pretend he hadn't heard it, the sound of something heavy - a body? - falling into the Tyne during an argument between two men on the riverbank. Not his fight, he reckons.

Then he sees the headline: GIRL IN MISSING DAD PLEA. The girl, Carrie, reminds him of someone he lost, and this makes his mind up: it's time to stop hiding from his past. But telling Carrie, what he heard - or thought he heard - turns out to be just the beginning of the story.

The police don't believe him, but Carrie is adamant that something awful has happened to her dad and Jimmy agrees to help her, putting himself at risk from enemies old and new.

But Jimmy has one big advantage: when you've got nothing, you've got nothing to lose.

Praise for The Man on the Street

'Intricate, expertly paced with a shocking conclusion' M. W. CRAVEN

'A unique protagonist and a cracking plotline' MARI HANNAH

'Engaging and complex . . . deeply satisfying' HARRIET TYCE

'A brilliant read and I love Jimmy' PATRICIA GIBNEY

'An unsparing examination of life on the streets' VAL MCDERMID

WINNER OF THE CWA JOHN CREASEY DAGGER AND OF THE SPECSAVERS DEBUT CRIME NOVEL AWARD. A THEAKSTON'S NEW BLOOD AUTHOR FOR 2020 AND SHORTLISTED FOR THE THEAKSTON'S OLD PECULIER CRIME NOVEL OF THE YEAR AWARD.

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“Fresh, original, authentic and gritty - should be an instant classic - Lee ChildWhat more do you want from a debut than a unique protagonist and a cracking plotline ? A smart, thought-provoking crime read with bags of heart and humanity The story races along at a cracking pace, lots of tension in the twists and turns , and Jimmy is hugely engaging and complex . It's a rare skill to develop a sympathetic character with such a chequered history for whom one so wants a happy ending. A deeply satisfying read Intricate, expertly paced with a shocking conclusion. The dialogue is on-point , the narrative is flawless and Jimmy is a character you root for from page one . Believe me when I say this, Trevor Wood has a bright future in the world of crime fiction. Simply superb I can safely say it will be huge . . . Flying through it . It's a brilliant read and I love Jimmy A superbly written trip through the shadows of my hometown with a unique protagonist as a tour guideI've just finished The Man on the Street , and I hugely enjoyed it. Wood is the real thing. I recently read the last Rebus, and it absolutely stands up to that level. It's smart, witty, compassionate and real, and the dialogue is brilliant . It's a fine thriller with something to say - and it feels like a blast of fresh air in the genre Superb and going to make serious waves . Love it”

Fresh, original, authentic and gritty - should be an instant classic - Lee Child

What more do you want from a debut than a unique protagonist and a cracking plotline? A smart, thought-provoking crime read with bags of heart and humanity

The story races along at a cracking pace, lots of tension in the twists and turns, and Jimmy is hugely engaging and complex. It's a rare skill to develop a sympathetic character with such a chequered history for whom one so wants a happy ending. A deeply satisfying read

Intricate, expertly paced with a shocking conclusion. The dialogue is on-point, the narrative is flawless and Jimmy is a character you root for from page one. Believe me when I say this, Trevor Wood has a bright future in the world of crime fiction. Simply superb

I can safely say it will be huge . . . Flying through it. It's a brilliant read and I love Jimmy

A superbly written trip through the shadows of my hometown with a unique protagonist as a tour guide

I've just finished The Man on the Street, and I hugely enjoyed it. Wood is the real thing. I recently read the last Rebus, and it absolutely stands up to that level. It's smart, witty, compassionate and real, and the dialogue is brilliant. It's a fine thriller with something to say - and it feels like a blast of fresh air in the genre

Superb and going to make serious waves. Love it

Trevor Wood has lived in Newcastle for twenty-five years and considers himself an adopted Geordie. He's a successful playwright who has also worked as a journalist and spin-doctor for the City Council. Prior to that he served in the Royal Navy for sixteen years. Trevor holds an MA in Creative Writing (Crime Fiction) from UEA. The Man on the Street, his first novel, was published to widespread critical acclaim and won the 2020 CWA New Blood Dagger. One Way Street was his second novel and Dead End Street concluded the trilogy.

GRITTY, NEWCASTLE-SET CRIME FOR FANS OF IAN RANKIN AND ROBERT GALBRAITH. WINNER OF THE CWA JOHN CREASEY DAGGER AND OF THE SPECSAVERS DEBUT CRIME NOVEL AWARD. A THEAKSTON'S NEW BLOOD AUTHOR FOR 2020 AND SHORTLISTED FOR THE THEAKSTON'S OLD PECULIER CRIME NOVEL OF THE YEAR AWARD. 'Fresh, original, authentic and gritty - should be an instant classic' LEE CHILD 'Intricate, expertly paced with a shocking conclusion ... Jimmy is a character you root for from page one ... Simply supberb' M. W. CRAVEN, author of THE PUPPET SHOW It started with a splash. Jimmy, a homeless veteran grappling with PTSD, did his best to pretend he hadn't heard it - the sound of something heavy falling into the Tyne at the height of an argument between two men on the riverbank. Not his fight.Then he sees the headline: GIRL IN MISSING DAD PLEA. The girl, Carrie, reminds him of someone he lost, and this makes his mind up: it's time to stop hiding from his past. But telling Carrie, what he heard - or thought he heard - turns out to be just the beginning of the story.The police don't believe him, but Carrie is adamant that something awful has happened to her dad and Jimmy agrees to help her, putting himself at risk from enemies old and new. But Jimmy has one big advantage: when you've got nothing, you've got nothing to lose.

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