Mrs Palfrey at the Claremont

Named by the Guardian as one of 'the 100 best novels,' and shortlisted for the Booker Prize, Mrs Palfrey At The Claremont is a humorous and compassionate look at friendship between an old woman and a young man from a 'magnificent...writer, the missing link between Jane Austen and John Updike' (David Baddiel, Independent)

On a rainy Sunday in January, the recently widowed Mrs Palfrey arrives at the Claremont Hotel where she will spend her remaining days. Her fellow residents are magnificently eccentric and endlessly curious, living off crumbs of affection and snippets of gossip. Together, upper lips stiffened, they fight off their twin enemies: boredom and the Grim Reaper.

Then one day Mrs Palfrey strikes up an unlikely friendship with an impoverished young writer, Ludo, who sees her as inspiration for his novel.

'Elizabeth Taylor's exquisitely drawn character study of eccentricity in old age is a sharp and witty portrait of genteel postwar English life facing the changes taking shape in the 60s . . . Much of the reader's joy lies in the exquisite subtlety in Taylor's depiction of all the relationships, the sharp brevity of her wit, and the apparently effortless way the plot unfolds' -Robert McCrum 'the 100 best novels', Guardian

“She's a magnificent and underrated mid-20th-century writer, the missing link between Jane Austen and John Updike-- David Baddiel , Independent”

'A wonderful novelist' JILLY COOPER 'How skilfully and with what peculiar exhilaration she negotiated the minefield of the human heart' JONATHAN KEATES 'The unsung heroine of British twentieth-century fiction' REBECCA ABRAMS, NEW STATESMAN 'A funny and honest examination of the casual cruelty we can sometimes inflict upon each other' DAILY MAIL 'I envy those readers who are coming to her work for the first time. Theirs will be an unexpected pleasure, and they will - if they read her as she wanted to be read - learn much that will surprise them' PAUL BAILEY

Elizabeth Taylor (1912-1975) was born and educated in Reading. After leaving school she worked as a governess and later in a library. She lived much of her married life in the village of Penn in Buckinghamshire. In 1984 ANGEL was selected by the Book Marketing Council's 'Best Novels of Our Time'.

'Devastating, delicate, hilarious and unflinching' David Baddiel On a rainy Sunday afternoon in January, the recently widowed Mrs Palfrey arrives at the Claremont Hotel where she will spend her remaining days. Her fellow residents are a mixed bunch - magnificently flawed and eccentric - living off crumbs of affection and an obsessive interest in the hotel menu. Together, upper lips stiffened, they fight off their twin enemies: boredom and the Grim Reaper. And then one day, Mrs Palfrey meets the handsome young writer Ludo, and an unlikely friendship is formed... 'Elizabeth Taylor's exquisitely drawn character study of eccentricity in old age is a sharp and witty portrait of genteel postwar English life facing the changes taking shape in the 60s . . . Much of the reader's joy lies in the exquisite subtlety in Taylor's depiction of all the relationships, the sharp brevity of her wit, and the apparently effortless way the plot unfolds . . . Mrs Palfrey at the Claremont is, for me, her masterpiece' Robert McCrum, '100 Best Novels', Guardian

'Mrs Palfrey at the Claremont is, for me, her masterpiece' - Robert McCrum, Guardian , 'The Best 100 Novels' 'An author of great subtlety, great compassion and great depth' - SARAH WATERS 'Jane Austen, Elizabeth Taylor, Elizabath Bowen - soul-sisters all' ANNE TYLER On a rainy Sunday in January, the recently widowed Mrs Palfrey arrives at the Claremont Hotel where she will spend her remaining days. Her fellow residents are magnificently eccentric and endlessly curious, living off crumbs of affection and snippets of gossip. Together, upper lips stiffened, they fight off their twin enemies: boredom and the Grim Reaper.Then one day Mrs Palfrey strikes up an unlikely friendship with an impoverished young writer, Ludo, who sees her as inspiration for his novel. 'Elizabeth Taylor's exquisitely drawn character study of eccentricity in old age is a sharp and witty portrait of genteel postwar English life facing the changes taking shape in the 60s . . . Much of the reader's joy lies in the exquisite subtlety in Taylor's depiction of all the relationships, the sharp brevity of her wit, and the apparently effortless way the plot unfolds' -Robert McCrum 'the 100 best novels' , Guardian

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