A sparkling, unconventional social comedy set in bohemian 1930s London.
A sparkling, unconventional social comedy set in bohemian 1930s London.
Elsie, sheltered and naive, is seventeen and unhappy. Stifled by life with her bickering parents in a bleak Cornish village, she falls in love with the first presentable young man she meets - Peter, an ambitious London doctor. On his advice she runs away from home and goes to live with her sister Leonora, who escaped eight years earlier.
But there are surprises in store for conventional Elsie as her sister has a rather bohemian lifestyle: not only does Leo live in a houseboat on the Thames where she writes Westerns for a living, she shares her boat - and her bed - with Helen. When Peter pays a visit, turning his attention from one 'friendly young lady' to the next, he disturbs the calm for each of them - with results unforeseen by all . . .Mary Renault wrote this delightfully provocative novel in 1943 partly in answer to the despair characteristic of Radclyffe Hall's The Well of Loneliness. The result is this witty and stylish social comedy.“Undeniably charming . . . has an enormous nostalgic attractiveness - New YorkerWritten with rare insight - Boston GlobeA very lively and human story - New York Times Book Review”
Undeniably charming . . . has an enormous nostalgic attractiveness - New Yorker
Written with rare insight - Boston GlobeA very lively and human story - New York Times Book ReviewMary Renault (1905-1983) was born in London and educated at St Hughs, Oxford. She trained as a nurse at Oxford's Radcliffe Infirmary, where she met her lifelong partner, Julie Mullard. Her first novel, Purposes of Love, was published in 1937. In 1948, after North Face won a MGM prize worth $150,000, she and Mullard emigrated to South Africa. There, Renault was able to write forthrightly about homosexual relationships for the first time - in her masterpiece, The Charioteer (1953), and then in her first historical novel, The Last of the Wine (1956). Renault's vivid novels set in the ancient world brought her worldwide fame. In 2010 Fire From Heaven was shortlisted for the Lost Booker of 1970.
Elsie, sheltered and naive, is seventeen and unhappy. Stifled by life with her bickering parents in a bleak Cornish village, she falls in love with the first presentable young man she meets - Peter, an ambitious London doctor. On his advice she runs away from home and goes to live with her sister Leonora, who escaped eight years earlier. But there are surprises in store for conventional Elsie as her sister lives a rather bohemian lifestyle: not only does Leo live in a houseboat on the Thames where she writes Westerns for a living, she shares her boat - and her bed - with the lovely Helen. When Peter pays a visit, turning his attention from one 'friendly young lady' to the next, he disturbs the calm for each of them - with results unforeseen by all . . . 'Renault's 1944 novel is both sharp and light, a social comedy of sexual identity in which the issue is hardly discussed . . . Renault takes the changeability of sexuality for granted. What may seem like the author's reticence is actually a mark of her sophistication, far beyond the hard and fast boundaries of identity politics' Salon.com
Elsie, sheltered and naive, is seventeen and unhappy. Stifled by life with her bickering parents in a bleak Cornish village, she falls in love with the first presentable young man she meets - Peter, an ambitious London doctor. On his advice she runs away from home and goes to live with her sister Leonora, who escaped eight years earlier. But there are surprises in store for conventional Elsie as her sister has a rather bohemian lifestyle: not only does Leo live in a houseboat on the Thames where she writes Westerns for a living, she shares her boat - and her bed - with Helen. When Peter pays a visit, turning his attention from one 'friendly young lady' to the next, he disturbs the calm for each of them - with results unforeseen by all . . .Mary Renault wrote this delightfully provocative novel in 1943 partly in answer to the despair characteristic of Radclyffe Hall's The Well of Loneliness . The result is this witty and stylish social comedy.
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