Laurie Graham's debut, set in the confines of 1962 before sex, drugs and rock 'n' roll all began - a hilarious yet tender portrait of a man butting at the walls of his existence.
Laurie Graham's debut, set in the confines of 1962 before sex, drugs and rock 'n' roll all began - a hilarious yet tender portrait of a man butting at the walls of his existence.
It is 1962. The first avocado pears are appearing at the greengrocers, people are thinking about carpeting their lavatories and boxing in their banisters, and Ronnie Glover, housepainter, husband and father, is feeling the first vague stirrings of discontent with his life.
Then, out of the blue, the fabulous, sophisticated (and married) Jacqueline bursts into his life and teaches him to tango. She seems to offer everything he ever dreamt of. But is it all too good to be true? What can a woman who has traveled the world want with a man who carries a stub of pencil behind his ear? And are the Ten O'Clock horses of Ronnie's painful childhood awake and sniffing the wind?“Turbo-charged by the palpable rage and desperation of its hero ... the narrative rips along on a tide of beautifully observed dialogue' TLS.”
' TLS
Laurie Graham is a former Daily Telegraph columnist and contributing editor of She magazine. The author of several acclaimed novels, most recently The Grand Duchess of Nowhere and The Night in Question (2015), Laurie lives in Dublin. Visit her website at
It is 1962. The first avocado pears are appearing at the greengrocers, people are thinking about carpeting their lavatories and boxing in their banisters, and Ronnie Glover, housepainter, husband and father, is feeling the first vague stirrings of discontent with his life. Then, out of the blue, the fabulous, sophisticated (and married) Jacqueline bursts into his world and teaches him to tango. She seems to offer everything he ever dreamt of. But is it all too good to be true? What can a woman who has travelled the world want with a man who carries a stub of pencil behind his ear? It looks as though the Ten O'Clock horses of Ronnie's painful childhood are awake and sniffing the wind.
It is 1962. The first avocado pears are appearing at the greengrocers, people are thinking about carpeting their lavatories and boxing in their banisters, and Ronnie Glover, housepainter, husband and father, is feeling the first vague stirrings of discontent with his life. Then, out of the blue, the fabulous, sophisticated (and married) Jacqueline bursts into his life and teaches him to tango. She seems to offer everything he ever dreamt of. But is it all too good to be true? What can a woman who has traveled the world want with a man who carries a stub of pencil behind his ear? And are the Ten O'Clock horses of Ronnie's painful childhood awake and sniffing the wind?
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