This rich, absorbing, often very funny, book is a study not just of ghostliness but of Britishness, an exploration of why, now perhaps more than ever, we need the unexplainable - a sense of the unknown.
This rich, absorbing, often very funny, book is a study not just of ghostliness but of Britishness, an exploration of why, now perhaps more than ever, we need the unexplainable - a sense of the unknown.
This rich, absorbing, often very funny, book is a study not just of ghostliness but of Britishness, an exploration of why, now perhaps more than ever, we need the unexplainable - a sense of the unknown.
Andrew Martin trained as a barrister before becoming a journalist and novelist. He has contributed to most national newspapers. His seven novels include five titles - beginning with The Necropolis Railway - featuring the young Edwardian detective, Jim Stringer and he is the author of How to Get Things Really Flat (Short Books). He has also written short stories and radio plays. He is married with two children.
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